A Box of Books for 2012

I love reading bookish reviews of the year, but this year I have struggled to write one of my own.

A list – be it a top ten, a top twenty, a list by categories – felt too stark, too cut and dried. And I couldn’t find a questionnaire that worked for me.

But then, yesterday, inspiration struck.

I would assemble a virtual box of books that would speak for my year in books. They would be books that had offered something to my heart, my mind, or my soul, in what has been a difficult year.

And I would stick a virtual post-it note to each book, either my thoughts when I read it or a quotation that had picked up to remind me why that book was in my box.

I found that I had twenty-five books. I think that’s just about viable for a single box, as a few of them were little Penguin books and one of them was even littler than that. Though I wouldn’t want to have to carry it any great distance …

Before I show you what is in my box, there are people I really must thank – authors past and present, publishers, sellers of books both new and used, fellow readers – who have all done their bit to make the contents of my box so very lovely.

And now all I have left to say is – Here are the books!

Year end4

Diving Belles by Lucy Wood

Often the books you love are the most difficult to write about. How do you capture just what makes them so very, very magical? Diving Belles is one of those books.It hold twelve short stories. Contemporary stories that are somehow timeless. Because they are suffused with the spirit of Cornwall, the thing that I can’t capture in words that makes the place where I was born so very, very magical.

The Dovekeepers by Alice Hoffman

In 70 C.E., nine hundred Jews held out for months against armies of Romans on Masada, a mountain in the Judean desert. History records that only two women and five children survived the siege … An extraordinary story. And the foundation upon which Alice Hoffman has built an epic novel. An extraordinary novel.

The Last Summer by Judith Kinghorn

“I was almost seventeen when the spell of my childhood was broken. There was no sudden jolt, no immediate awakening and no alteration, as far as I’m aware, in the earth’s axis that day. But the vibration of change was upon us, and I sensed a shift; a realignment of my trajectory. It was the beginning of summer and, unbeknown to any of us then, the end of a belle époque.”

Monogram by Gladys Bronwyn Stern

“Mental collections can be as dearly prized as those we keep behind glass, like snuff-boxes, fans or china cats; or the collection of a man who assembled everything that happened to be the size of a fist. I have a mental collection of moments on the stage, moments of horror, irony, beauty or tension …”

Tom-All-Alone’s by Lynn Shepherd

I read such wonderful prose:  compelling storytelling mixed with vivid descriptions. The sights, the sounds, the smells assaulted my senses.  And I learned terrible things that I might rather have not known, but that I never for one moment doubted were true. Nothing is more frightening than the evil that men do. I heard wonderful echoes of more than one great Victorian novelist; and I saw knowledge, understanding, and great love for their works.

Year end3

The City of Beautiful Nonsense by E Temple Thurston

“You’ve got to see Venice. You’ve got to see a city of slender towers and white domes, sleeping in the water like a mass of water lilies. You’ve got to see dart water-ways, mysterious threads of shadow holding all those flowers of stome together. You’ve got to hear the silence in which the whispers of lovers of a thousand years ago, and in the cries of men, betrayed, all breathe and echo in every bush. these are the only noises in Venice – these and the plash of the gondolier’s oar or his call ‘Ohé!’ as he rounds a sudden corner. “

Alys Always by Harriet Lane

This is a story that brings a clever mixture of influences together beautifully. It could be Patricia Highsmith writing with Barbara Pym. Or Anita Brookner writing with Barbara Vine perhaps. But no, it’s Harriet Lane, and she has created something that is entirely her own. She writes with both elegance and clarity, she balances suspense with acute observation, and she understands her characters, their relationships, the worlds they move in absolutely perfectly.

Harriet by Elizabeth Jenkins

I read ‘The View from Downshire Hill,’ Elizabeth Jenkins’ sadly out-of-print autobiography a few year ago and so I was familiar with the story of ‘Harriet’ before I was able to read the book. I knew exactly what would happen, but still I was captivated. Because Elizabeth Jenkins wrote so beautifully, and with such understanding of the characters she recreated, and of their psychology.

The Colour of Milk by Nell Leyshon

The prose is sparse, the story is short, and yet it holds so much. Every character is simply but perfectly drawn, and each and every one is important. Just a few words of description, a few words of dialogue painted wonderful pictures of lives and relationships. And of a place and time.

The One I Knew the Best of All by Frances Hodgson-Burnett

“The Small Person used to look at them sometimes with hopeless, hungry eyes. It seemed so horribly wicked that there should be shelves of books – shelves full of them – which offered nothing to a starving creature. She was a starving creature in those days, with a positively wolfish appetite for books, though no one knew about it or understood the anguish of its gnawings. It must be plainly stated that her longings were not for “improving” books. The cultivation she gained in those days was gained quite unconsciously, through the workings of a sort of rabies with which she had been infected from birth. At three years old she had begun a life-long chase after the Story.”

Year end2

The Painted Bridge by Wendy Wallace

A carriage pulled up outside. Mrs Anna Palmer, the young wife of an elderly clergyman arrived. She thought she had come to meet friends of her husband, but she was wrong. She had been very cleverly tricked, and she found herself incarcerated in Lake House, a private asylum for gentlewomen. First she was astonished and then she was outraged. But she was utterly trapped. By the power of a cruel husband, by the strictures of Victorian society, and by her own nature.

White Ladies by Francis Brett Young

“And then, of a sudden, the trees seem to fall back on either side, disclosing with the effect of a fanfare of trumpets breaking through a murmur of muted strings, above, an enormous expanse of blue sky, and below, a wide sward of turf, most piercingly green within the woods’ dense circlet. And in the midst of the green sward stood a house.”

Snake Ropes by Jess Richards

“I am reading reading reading, locked in the stories. I am a wicked daughter, a drunken witch, a terrible scientist, a king with a severed hand, a resentful angel, a statue of a golden prince, the roaring wind, an uninspired alchemist, a fantastic lover who has only one leg, a stage magician with glittery nails, a shivery queen with a box of Turkish sweets, a prostitute wearing poisoned lipstick, a piano player whose hands are too big, a raggedy grey rabbit, a murderer with metal teeth, a spy with an hourglass figure … I am eighteen years old and my real life is here locked inside these books.

Catherine Carter by Pamela Hansford Johnson

It is a love story, set in London’s theatre world in the latter days of Queen Victoria’s reign. And it is a tour de force, balancing the recreation of a world, a cast of utterly real characters, and a perfectly constructed plot quite beautifully.

Mistress of Mellyn by Victoria Holt

“There are two courses open to a gentlewoman when she finds herself in penurious circumstances,” my Aunt Adelaide had said. “One is to marry, and the other is to find a post in keeping with her gentility.” As the train carried me through the wooded hills and past green meadows, I was taken this second course; partly, I suppose, because I had never had an opportunity of trying the former.”

Year end5

Shelter by Frances Greenslade

Forty years ago, two sisters were growing up, in a small town, set in the wild countryside of British Columbia. Maggie and Jenny Dillon lived in an unfinished cabin home with their quiet reliable father, Patrick, and their imaginative, free-spirited mother, Irene. A happy family. Maggie tells their story. And she tells it beautifully. Her voice rang true and she made me see her world, her sister, her father, her mother. I understood how the family relationships worked, I understood what was important to them. And I saw enough to understand one or two things that Maggie didn’t.

Wives and Daughters by Elizabeth Gaskell

“All Hollingford felt as if there was a great deal to be done before Easter this year. There was Easter proper, which always required new clothing of some kind, for fear of certain consequences from little birds, who were supposed to resent the impiety of those who do not wear some new article of dress on Easter-day.’ And most ladies considered it wiser that the little birds should see the new article for themselves, and not have to take it upon trust, as they would have to do if it were merely a pocket-handkerchief, or a petticoat, or any article of under- clothing. So piety demanded a new bonnet, or a new gown; and was barely satisfied with an Easter pair of gloves. “

The Fortnight in September by R C Sherriff

They settled into their holiday routine. Mr Stevens secured a beach hut, and they would bathe, play ball on the sand, watch the world go by. They would visit familiar attractions too. And journey out into the surrounding countryside. There was time and space to think too. Mr Stevens worried about his position in the world. Dick wondered where he was going in life, what possibilities were open to him. Mary fell in love. And Mrs Stevens broke with convention to sit down with he landlady, to offer a sympathetic ear when she spoke of her concerns about the future. Lives were changing, and the world was changing.

Kind of Cruel by Sophie Hannah

Amber Hewerdine was losing sleep, and it really wasn’t surprising. Her best friend died in an arson attack, the arsonist had never been identified, and now Amber and her husband, Luke, were bringing up her friend’s two young daughters. An incident that happened at a family Christmas spent in a holiday cottage was still troubling her. Luke’s sister, her husband and their two young sons disappeared on Christmas day, not returning until the next morning when the refused to give any explanation of what had happened. And things got worse …

The Woman in White by Wilkie Collins

I’ve been terribly torn over the question of whether of not to re-read Wilkie Collins. You see, I fell completely in love with his major works when I was still at school, and I was scared that I might tarnish the memories, that his books might not be quite as good as great as I remembered. I’m thrilled to be able to say that my fears were unfounded. The Woman in White was better than I remembered. A brilliantly constructed and executed tale of mystery and suspense, written with real insight and understanding.

Year end1

Thérèse Racquin by Émile Zola

Thérèse was the daughter of a French sailor and a native woman. Her father her to took his sister, a haberdasher, to raise with her son. Camille, a bright but sickly child. It was expected that Thérèse and Camille would marry, and marry they did. Not because either one had feelings for the another, but because it didn’t occur to either of them to do anything else, or that life could offer anything more than they already knew. Zola painted a picture of dark and dull lives, and yet he held me. Somehow, I don’t know how, he planted the idea that something would happen, that it was imperative that I continued to turn the pages.

The Home-Maker by Dorothy Canfield Fisher

The very, very best novels leave me struggling for words, quite unable to capture what it is that makes them so extraordinary. The Home-Maker is one of those novels. It was published in the 1920s, it is set in small town American, and yet it feels extraordinarily relevant. It is the story of the Knapp family – Evangeline, Lester and their children, Helen, Henry and Stephen. A family that was unhappy, because both parents were trapped in the roles that society dictated a mother and a father should play.

The Other Half of Me by Morgan McCarthy

As I read The Other Half of Me, Morgan McCarthy’s first novel, I heard echoes of many other stories. Stories of lives lived in grand country houses. Stories of troubled families harbouring dark secrets. Stories of privileged, but troubled, lives … and yet, through all of that, I heard a new and distinctive story.

The Heir by Vita Sackville-West

Blackboys was home, and its faded grandeur gave him beauty, comfort, and a place in the world, a point in history. He came to realise that slowly, as he walked through galleries full of family portraits, as he looked across beautiful gardens towards rolling hills, as he sat, peacefully in his  wood-pannelled library.

The Uninvited by Liz Jensen

“Mass hysterical outbreaks rarely have identifiable inceptions, but the date I recall most vividly is Sunday 16th September, when a young child in butterfly pyjamas slaughtered her grand-mother with a nail-gun to the neck. The attack took place in a family living room in a leafy Harrogate cul-de-sac, the kind where no-one drops litter, and where you can hear bird-song…”

And now tell me, what would you put in your box for 2012?

The Heir by Vita Sackville-West

The Cornish Library Service has lost its green Virago copy of The Heir. I was so disappointed when that news arrived by email. I had felt so virtuous when I placed my order; I was controlling my book shopping and supporting the library!

I was offered a 1973 edition instead. I was less than thrilled, but I accepted, telling myself that reading the words was much more important than holding a particular edition.

When the book arrived I was delighted with it. Yes it was a 1970s edition, but it was a facsimile of the first edition, from 1922. The author’s name was shown not as Vita, but as Victoria Sackville-West, and though I had lost that accompanying novella, Seducers in Ecuador, that would have come with the Virago edition I had gained a quartet of short stories that I knew nothing about.

I had found a publisher. This facsimile edition came from Cederic Chivers Ltd of Bath – book-binders, book restorers and paper conservators – at the request of the London & Home Counties Branch of the Library Association.

“This book has been out of print for a number of years, and in response to continued demand we are delighted to be able to reprint such a fine piece of writing.”

It was a lovely reminder that rediscovering old books is nothing new, it’s been going on for years and years. And long may it continue. After all even Jane Austen fell out of print for a little while …

The list of titles published in the same series was a delight. I saw so many familiar names, from Vera Brittain to Barbara Comyns to Robert Graves to Kate O’Brien to Winifred Watson … and, would you believe, Dorothy Whipple sitting next to Baron Von Richthofen …

But it was The Heir that I wanted to read, and it was every bit as wonderful as I had been led to believe.

It began with the end of an era.

“Miss Chase lay in her immense red silk four-poster that reached as high as the ceiling. Her face was covered by a sheet, but she had a high, aristocratic nose, it raised the sheet into a ridge, ending in a point. Her hands could also be distinguished beneath the sheet, folded across her chest like the hands of an effigy; and her feet, tight together like the feet of an effigy raised the sheet into two further points at the bottom of the bed. She was eighty-four years old, and she had been dead for twenty-four hours.”

Miss Chase has no close family and so her estate came to a distant cousin. A solicitor from Wolverhampton. He had never met his cousin, and he had never visited Blackboys, her Elizabethan manor house, set in the Kent countryside, that became his.

It wouldn’t be his for long if the solicitors has their way. They told him that the estate was heavily mortgaged, that it would never pay his way, that the only thing to so was sell up, and then maybe he could go home a little wealthier than he had been when he left it. They had all the facts and figures at their disposal, everything that they said made perfect sense, but Chase rather resented it.

“The house lay in the hollow at the bottom of a ridge of wooded hills that sheltered it from the north, but the garden was upon the slope of the hill, in design quite simple; a central walk divided the square garden into halves, eased into very flat, shallow steps, and outlined by a low stone coping. A wall surrounded the whole garden. To reach the garden from the house, you crossed a little footbridge over the moat, at the bottom of the central walk. This simplicity, so obvious, yet, like the house, so satisfying, could not possibly have been otherwise ordered; it was married to the lie of the land. It flattered Chase with the delectable suggestion that he, a simple fellow, could have conceived and carried out the scheme as well as had the architect.”

Blackboys was home, and its faded grandeur gave him beauty, comfort, and a place in the world, a point in history. He came to realise that slowly, as he walked through galleries full of family portraits, as he looked across beautiful gardens towards rolling hills, as he sat, peacefully in his  wood-pannelled library.

It was lovely to watch, to understand, to know that the house belonged to the land and that Chase belonged to the house.

I could see it, perfectly realised, because all of the right details were there. The house, the grounds, the countryside, lived and breathed.

The Heir is subtitled ‘A Love Story’ and I watched that love story grow, between Chase and the home that he inherited

It was a joy to read all of this, in prose that was both rich and elegant, and  to have characters and their lives  illuminated so gently and so clearly.

I couldn’t see how the story could be resolved. I knew that Chase couldn’t go back to the life he had before, but I couldn’t see a way for him to hold on to Blackboys.

In the end there was a resolution, a resolution that was right, real and natural.

I really didn’t want to let this one go, but I had to. Luckily, I had those short stories to fall back on.

The Christmas Party was a little gem. Almost the opposite of The Heir, it told the darkly, twisted story of a woman who had been exiled from her home, who had built an unconventional life on her own, and who had finally invited her estranged family to stay.

Her Son was a perceptive and heart-breaking story of a mother who learned that her son had no time for the inheritance, the history that she thought so precious.

Patience and The Parrot were were shorter, but they had their own, quite distinctive, charms.

All four stories were beautifully and perceptively written, revealing different facets of their author.

But, lovely though they were, they couldn’t live up to The Heir. That was the story that captured me, heart and soul … and I think that maybe I will have to order a green Virago copy to keep …

Teaser Tuesdays

teasertuesdays

Teaser Tuesdays is hosted by MizB

Just quote a couple of spoiler-free sentences the book you’re reading to tempt other readers.

Here is mine:-

“Edith was frightened of being left in this strange house, alone with her living mother and her dead father. She could not own to her fear, but she did everything in her power to delay the departure of her brothers and sister”

From “All Passion Spent” by Vita Sackville-West.