A Box of Books for 2013

I have a love-hate relationship with year-end lists.

I have loved lists – writing them, reading them, studying and analysing them – since I was a child. And yet I find it difficult to sum up a year of reading in a list or two. I know that it’s for the best of reasons: I have learned that there are so many wonderful books out there, and so I have learned to read the books that call; the books I want to read, rather than the books I ought to read.

So I’m going to do what I did last year. I’m going to assemble a virtual box of books to capture all of the things that I’ve loved in this year’s reading. It might sound like a list, and maybe it is, but to me feels like I’ve pulled some great books from the shelves because those are the books I want to pull from the shelves right now. It’s not quite so definitive.

And here it is – in the order that I read them:

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Serving Victoria: Life in the Royal Household by Kate Hubbard

“What a wonderful idea: the story of the sixty something years when Queen Victoria reigned, told through the experiences of the men and women who served her. The experiences of high-ranking courtiers, who were close enough to see how the queen and her family lived, who were not overawed by the world they found themselves in, and who, of course, left letters and diaries to speak for them.”

The Painted Veil by W. Somerset Maugham

“I must confess that, though I loved the recent film adaptation of The Painted Veil, I have been circling my copy of the book for a long, long time. Because for years Maugham lived in my box marked ‘A Great Author But Not For Me.’ Wrong, wrong, wrong!”

The Love-Charm of Bombs by Lara Feigel

“I was smitten with ‘The Love-Charm of Bombs’ from the very first time I read about it. The prospect of seeing London in the Second World War through the eyes of five remarkable writers – Elizabeth Bowen, Graham Greene, Rose Macaulay, Hilde Spiel and Henry Yorke (who wrote under the name Henry Green) – was simply irresistible.”

A Pixy in Petticoats by John Trevena

“Some people look at a hedgerow and see just that. A hedgerow. But others see more: a network of different plants, signs of the wildlife that live there, evidence of what the weather had been doing. John Trevena saw those things and he was able to bring that to life on the page, to pull his readers into his village and over the moors.”

The Pinecone by Jenny Uglow

“In 1869, Dante Gabriel Rossetti, staying with friends near Carlisle, reported in a letter to his mother that he had come across ‘some most remarkable architectural works by a former Miss Losh. She must have been really a great genius,’ he wrote, ‘and should be better known.’ She should.”

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Mariana by Monica Dickens

“Now it has to be said that Mary is not the most sympathetic of characters. She is often awkward, thoughtless, selfish even. But she was real, and for all her failing I did like her, I did want her to find her path in life, her place in the world. Sometimes fallible heroines are so much easier to love.”

Death of Lyndon Wilder and the Consequences Thereof by E.A. Dineley

“It’s a lovely period piece, full of lovely characters, pieces of history, references to beloved books, clever plotting, well-chosen details … and it’s utterly, utterly readable.”

Excellent Women by Barbara Pym

“Barbara Pym constructed her story so cleverly and told it beautifully. There is wit, intelligence and insight, and such a very light touch and a natural charm. A simple story, but the details made it sing. It was so very believable. It offers a window to look clearly at a world that existed not so long ago, but that has changed now so completely.”

The Sea Change by Joanna Rossiter

“In ‘The Sea Change’, Joanna Rossiter spins her story around a mother and daughter, both caught up in life changing events – real, historical events – that are very different and yet have similar consequences. She does it so very well that I can scarcely believe it is her debut. But it is.”

The Young Clementina by D E Stevenson

“I was so sorry to have to say goodbye to Charlotte and her world, after being caught up in her life and her world from start to finish. That points to very clever writing and plotting. Charlotte’s world, the people in it, all of the things she lived through were painted richly and beautifully. Her story lived and breathed.”

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The View on the Way Down by Rebecca Wait

“That I felt so deeply for these three siblings, that I was so upset, is a measure of what Rebecca Wait has achieved in her debut novel. I never doubted that she really knew, that she really understood, and that her accounts of depression, of bereavement, of grief, were utterly, utterly credible.  And the simplicity and the clarity of her story and her writing allowed that understanding to shine.”

Lady Rose and Mrs Memmary by Ruby Ferguson (re-read)

“Lady Rose was the only child and the heir, thanks to the good graces of Queen Victoria, of the Earl of Lochule. She was pretty, warm, bright,  and her open heart, her boundless curiosity, her love of life, charmed everyone she met. And she grew into a proud Scot and a true romantic, inspired by the writings of Walter Scott, the history of Mary Queen of Scots, and, most of all, her beloved home and lands.”

The Golem and the Djinni by Helene Wecker

“Best of all, the story of the golem and the djinni spoke profoundly of humanity, of its strengths and weaknesses, and of what it is that makes us human.”

No More Than Human by Maura Laverty

“She set off for Madrid,  to become a ‘professora’ – a free-lance tutor and  chaperone. It was an independent lifestyle that suited Delia very well, but it wasn’t easy to establish herself when she was so young, and maybe her reputation would follow her. But Delia was determined, and soon she was setting her sights even higher …..

Lucy Carmichael by Margaret Kennedy

“There was no wedding: Lucy was jilted, and of course she was devastated. She knew she had to carry on, and she knew she had to get away. She hated watching people being tactful, knowing she was being talked about, seeing reminders everywhere. And so, when she saw on opening for  a drama teacher at an arts institute, she grabbed it with both hands.”

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The Vet’s Daughter by Barbara Comyns (re-read)

“Barbara Comyns tells all of this so well, at times painting pictures with every sentence, and balancing the commonplace and the highly improbable so well that I was completely captivated by a story that was somehow dark and colourful at exactly the same time.”

The Misbegotten by Katherine Webb

“I was captivated by ‘The Misbegotten’, a wonderfully readable, utterly compelling story, set early in the eighteenth century. It is story of dark secrets, terrible losses, devastating lies, of the lives that they affect, and of truths that may be brought to light at a very high price.”

Penmarric by Susan Howatch (re-read)

“The story is told in six volumes, by five different narrators: Mark Castellack, his wife, one of his illegitimate sons, and two of his legitimate sons who would, in their turn, be master of Penmarric. Sixty years pass – from the later years of Queen Victoria’s reign to the end of World War II full of every kind of family drama you could imagine. In the wrong hands it would be a mess, but Susan Howatch made it work.”

Nearest Thing to Crazy by Elizabeth Forbes

“It was all so horribly believable. And it was unsettling, seeing how easily a life could be knocked off course, a mind knocked off balance. The story built , slowly and steadily, never losing it’s grip, towards a very clever ending. An ending that I really didn’t see coming, but an ending that made perfect sense.”

Frost Hollow Hall by Emma Carroll

“Frost Hollow Hall is more than a ghost story; it’s a story that lives and breathes, and paint wonderful pictures, and it’s a story about love, family, loss, regret, and learning to let go, told beautifully, with both subtlety and charm.”

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The Sunne in Splendour by Sharon Penman (re-read)

“The story begins with Richard as a small child and follows him through the course of his life, in exile when the House of Lancaster is in the ascendancy, and at court when the House of York rises. He becomes a formidable battlefield commander; he becomes a trusted lieutenant of the brother, Edward IV; he becomes the husband of Anne Neville, daughter of Warwick the Kingmaker, who he has loved since child; and eventually, of course, he comes king.”

The Custom of the Country by Edith Wharton (re-read)

“Now I find myself wanting to do what Alice did at the end of ‘Alice’s Adventures in Wonderland. I want to throw you in the air and say, “You’re just a fictional character!” But I can’t. Because you are so utterly real; not a heroine, not a villainess, but a vivid, three-dimensional human being, with strengths and weaknesses.”

The Goddess and the Thief by Essie Fox

“I loved the way that the story of Shiva and Pravati, and stories of her family, were woven into Alice’s own story. The contrast between India and England was very, very effective, and there were so many lovely things to notice along the way: bookish references, period details, real history – everything you could want.”

High Rising by Angela Thirkell

“It’s a simple story, but it plays out beautifully, because it is adorned with so many lovely dialogues, so many interesting incidents; and because everything works beautifully with the characters and their situations.”

Maidens’ Trip by Emma Smith

“It is a wonderful adventure for three young women  – Nanette, Emma and Charity – all from conventional, middle-class backgrounds, who have completed basic training and have been dropped into the very different world of the boating fraternity.”

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And that is very nearly the end of my reading year.

All that remains is to tell you about the very last book I read for my Century of Books, and to wind up that project …..

Penmarric by Susan Howatch

I fell in love with ‘Penmarric’ years ago, when I was still at school, from the very first sentences.

“I was ten years old when I first saw Penmarric and twenty years old when I first saw Janna Roslyn, but my reaction to both was identical.”

I had to read on, and I was gripped from start to finish. I read every other book by Susan Howatch I could find. I liked some more than others, but all have something to recommend them. But my favourites were the three big books that reset stories from mediaeval history in the more recent past. ‘Penmarric,’ ‘Cashelmara,’ and’ The Wheel of Fortune.’

And most of all I loved ‘Penmarric’.

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Mark Castellack’s mother, Maud, had one ambition – one obsession – that she fought for with every weapon at her disposal. To regain Penmarric, the family eastate that her father had left to a distant cousin rather that his only surviving child. Because she was a girl. Maud won in the end. Mark inherited Penmarric. But her victory came at a price.

The story is told in six volumes, by five different narrators: Mark Castellack, his wife, one of his illegitimate sons, and two of his legitimate sons who would, in their turn, be master of Penmarric. Sixty years pass – from the later years of Queen Victoria’s reign to the end of World War II full of every kind of family drama you could imagine.

In the wrong hands it would be a mess, but Susan Howatch made it work.

The foundations are strong: the story that has been set is that of Henry II; his wife, Eleanor of Aquitaine; and his sons, among them, Richard the Lionheart and King John. History records that their relationships were troubled, that when the king tried to divide his kingdom his wife and sons opposed him, that she was sent into exile, and that they continued to intrigue, against each other and against their father.

It’s a wonderful plot, and the resetting is brilliant. Each chapter is headed with pertinent quotations from serious historical works, and the story picks up the outline and many details without ever seeming tied or compromised. But it doesn’t matter at all if you don’t know the history, because ‘Penmarric’ more that stands up in its own right, as a wonderful, dark, historical family saga.

The characters were wonderful; real, three-dimensional human beings. I understood their motivations, their ambitions, their hopes, their dreams, their fears, and I appreciated that life and experience changed them over the years. Though not always for the better. They were infuriating,  in many cases they were dislikeable,  but they were fascinating.

I’m trying not to give away too many details and not to pay favourites but I must: Janna’s journey from farmer’s widow, through a troubled marriage, to a classic matriarch was wonderful; I really took to Phillip, who was a difficult child but grew into a man of strong principles, determined to follow his own path; and I was charmed by Jan-Yves, who was a spoiled brat of a child, but worked things out and grew up eventually.

And then there’s the setting. Cornwall, and my particular part of Cornwall. I’m pleased to report that Susan Howatch gets it right, and she brought the world that I live in, in the days of my grandparents and great grandparents, to life so vividly; the people, the places, the traditional Cornish industries, everything was caught perfectly, and pulled into the heart of the story.

Everything came together beautifully: story, characters and setting. And the style worked beautifully. Five voices told the story, simply and directly;  those voices were distinctive, and they all rang true.

‘Penmarric’ is a hefty book – more than 700 pages – but I read it quickly, because I was caught up from start to finish, and I always wanted to know what would happen next, just how events would play out. And I would have been quite happy for it to go on much longer, and the ending did seem a little abrupt. Though at least I could check what should have happened next against real history…

It’s not perfect – there are dips in the story, the tone is quite heavy a lot of the time, and important lessons are never learned – but I love it regardless.

Looking inside a book and finding my own world ….

Cornwall has always been my home – even when I lived elsewhere – and I have read so many books set in places I know, some of them very close to home. I should be used to it. But today I’ve been reading a book set at the beginning of the last century, watching the narrator walk in countryside I know and see sights I know well, and it knocked me sideways ….

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“I rode into Penzance and explored the town thoroughly … I found it a curious mixture of a place, the new gentility of the seaside town mellowing the ancient coarseness of the fishing port. The Metropole Hotel was part of the new gentility, a modern building that faced the sea and catered to visitors anxious to breathe the sea air in refined surroundings, but the town’s high street was far older than the esplanade and stood further inland to remind the visitor that a sea view had not always been considered desirable by the inhabitants. The mixture of old and new was emphasised, however by the new market house at the top of historical market Jew Street and by the new public garden with their semi-tropical vegetation a stone’s throw from the narrow streets and cobbled alleys around the harbour. And beyond the harbour, reducing both the old and the new to insignificance, rose the fairy-tale castle of St Michael’s Mount …”

From ‘Penmarric’ by Susan Howatch

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As it is today – clockwise from top left:

The Queens Hotel (fictionalised as The Metropole)
St Michael’s Mount
The sub-tropical Morrab Gardens
The Market House at the top of Market Jew Street

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How close to home- or to places you know – has reading taken you? How did your world look from inside a book?

Ten Books for Cornish Holidays

I’ve spotted a lot of Top Ten Holiday Reads  lists lately. Fascinating reading, and they set my mind spinning in a direction that was similar but different.

Ten books to transport you to Cornwall. Or to read on holiday in Cornwall.

I’ve picked books that are in print – and I think they are all available electronically – and I’ve picked wonderfully readable books, old and new, that I can happily recommend.

And her they are …

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Rebecca by Daphne Du Maurier

“The road to Manderlay lay ahead.  There was no moon.  The sky above our heads was inky black.  But the sky on the horizon was not dark at all.  It was shot with crimson, like a splash of blood.  And the ashes blew towards us with the salt wind from the sea.”  

Daphne Du Maurier fell in love with a house named Menabilly on the north coast of Cornwall. In Rebecca she calls that house Manderlay, and she spins a wonderful tale of suspense intrigue and romance, with lovely echoes of Jane Eyre around it.

Diving Belles by Lucy Wood

Lucy Wood comes from Cornwall, she understands, really understands what makes it so special, and she mixes myth and real life to fine effect in this wonderful collection of short stories.

The Rose Garden by Susanna Kearsley

“Crossing the Tamar for some reason made me feel different inside. It was only a river, yet every time I crossed it I felt I had stepped through some mystical veil that divided the world that I only existed in from the one that I was meant to be living in.”

Susanna Kearsley captures the magic of crossing the Tamar Bridge, leaving Devon and coming into Cornwall, and she captures the magic that draws so many people here in this lovely story of a house, a garden, history, time travel, and above all romance.

Rambles Beyond Railways by Wilkie Collins

Wilkie Collins crossed the Tamar by boat, a few years before the bridge was built, and he and his friend, the artist Henry Brandling, set out on a 214 mile walking tour.  This account of their travels holds a wealth of  material, wonderful vivid writing and extraordinary insight.

Love in the Sun by Leo Walmsley

“Leo Walmsley gives the reader a true story, classic in its simplicity, of a man and a girl who possessed nothing in life but love for each other and faith in the future, and because of these things, were courageous and happy…”

So said Daphne Du Maurier, in her introduction to a story that is vividly and beautifully written. The man and the girl are utterly real, every detail rings true, and it is so easy to be pulled in, so easy to care.

Tales of Terror from the Black Ship by Chris Priestley

A visitor tells two children stories of the sea as they wait in their home, and Inn on a Cornish cliff, for the storm to abate and for their father to come home. Tales are deliciously twisted, and the final revelation – who the visitor is and why he has come – is perfect.

The Burying Beetle by Ann Kelley

This is the story of twelve year-old Gussie, who has a head full of films and books, who is fascinated by nature and the world around her home in St Ives. She is ill, waiting and hoping for a heart transplant, and that makes life all the more precious, and her story all the more life-affirming. I loved Gussie, and I loved seeing Cornwall through her eyes.

Peril at End House by Agatha Christie

On holiday at a Cornish hotel Poirot encounters an accident-prone heiress, and  he soon realises that her accidents are not accidents at all. A solid mystery, a very nice setting; all in all, a lovely period piece from the 1930s.

Penmarric by Susan Howatch

A wonderful family saga, spanning half a century, telling their story and the story of Penmarric, their grand Cornish home, in five voices. The house, its inhabitants, the world around them come to life in a dramatic, compelling story. I had no idea when I first read it that it was inspired by real mediaeval history ….

The First Wife by Emily Barr

The story of a girl from a Cornish village who loses her home when her grandparents die, moves to town, and finds herself caught up in a story elements of chick lit, strands of a psychological thriller, and echoes of Daphne Du Maurier’s Rebecca. It’s wonderful fun!

I’m waiting now for Emily Barr’s new book, the story of a woman whop disappears from the train between Penzance and Paddington. A train I have travelled on so many times …

There are more books of course, by these authors and by others.

Have any of these books, or have any other books, transported you to Cornwall, I wonder … ?