10% Report: Reading the 20th Century

My 20th Century Reading Project is nearly over!

This is my ninth update, so I’ve read and written about ninety books, and I have the final ten lined up. One is read, two are in progress and so the century will be complete by the end of the month

My previous reports are here and the full list is here.

I’m so pleased that I’ve reached the point where the difficult years have been dealt with, and I’m even more pleased that I saved some particularly lovely books and authors for the very end of the project.

Edith Wharton, Angela Thirkell, Elizabeth Goudge, Dorothy Whipple …..

But, for tonight, here are those last ten books:

1901 – My Brilliant Career by Miles Franklin

If you took equal amounts of Becky Sharp, Cassandra Mortmain and Angel Devereaux, if you mixed them together, with verve and brio, and you might achieve a similar result, but you wouldn’t quite get there, because Sybylla Melvyn is a true one-off. She’s also nearly impossible to explain; a curious mixture of confidence and insecurity, tactlessness and sensitivity, forthrightness and thoughtfulness …. She’s maddening andshe’s utterly charming …

1903 – The Daughters of a Genius by Mrs George Horne de Vaizey

Philippa was sensible and practical, but she struggled in stressful situations and needed her sisters to help her through; Theo was the confident one, the one who went out and made things happen; Hope was quiet and thoughtful, doing her best to support her sisters, while she pursued her own goals; and Marge was the bright bubbly sister, determined to hold things together and to sell her art and pay her way. They all had their ups and downs, and it was lovely to watch them. I was drawn into their home and into their lives, because so many moments, so many details, were captured so beautifully.

1916 – Come Out of the Kitchen! by Alice Duer Miller

Mr Crane and Miss Falkener were inclined to be entertained, but Mr Tucker and Mrs Falkener were inclined to be severe. After a number of wonderful incidents – including the escape of the cook’s cat, a rather pushy suitor and a dispute over a fashionable hat – three of the servants had been dismissed and the house party fell apart. Only the host and the cook were left, and that was most improper …

1917 – Painted Clay by Capel Boake

A new friend drew her into a Bohemian circle of aspiring artists. She was painted, and she was drawn into a relationship with the man who bought her portrait. Helen loved the freedom, the independence, the joy in living, that she found in her new world, but she had a nagging fear that she was becoming ‘painted clay’,  just like the mother who had abandoned her.

1970 – The Young Ardizzone by Edward Ardizzone

The pictures in words were lovely, and the sketches, so distinctively Ardizzone echoed them beautifully. But there were only hints of emotions, because this is a book of memories as pictures. And, as that, it works beautifully.But this isn’t a book to explain, it’s a book to love for what it is.

1979 – If on a Winter’s Night a Traveller by Italo Calvino

An intriguing story began in the next chapter, and the chapter after that came back again to address the reader searching for the right book, and searching for understanding of the writer and his writing. And the story kept bouncing back and forth. Reader. Story. Reader. Story. Reader. Story ….. I started going back and forth too, happy to read the wonderful words addressed first to one and then to two readers over and over again, and trying to work out how the different chapters of the story fitted together. I couldn’t make the pieces fit together, but in time I learned that I wasn’t meant to. I was reading openings, turning points, from a wealth of different stories.

1982 – The Sunne in Splendour by Sharon Penman

The story begins with Richard as a small child and follows him through the course of his life, in exile when the House of Lancaster is in the ascendancy, and at court when the House of York rises. He becomes a formidable battlefield commander; he becomes a trusted lieutenant of the brother, Edward IV; he becomes the husband of Anne Neville, daughter of Warwick the Kingmaker, who he has loved since child; and eventually, of course, he comes king.

1988 – The Upstairs People by Jennifer Dawson

It speaks profoundly of the damage that families can do, the damage that war can do, and, most of all, of the damage that a damaged mind can do. The first part of the story is most effective, with the children aware that something is wrong but not at all sure what, or what they could do; the latter part of the story drives the point home, but it is a little too chaotic. Though there are moments of utter clarity, that shine all the more against that chaos.

1995 – Touch and Go by Elizabeth Berridge

The story of Emma’s mother, Adela, was quietly heart-breaking. Adela’s marriage had been happy and strong, but since her husband’s death she was struggling with a future that she hadn’t planned for, that she didn’t want. She knew she had to make changes, but she wanted things to stay as they were; she was troubled but she knew that she had to keep going, that she had to so the right thing. I saw elements of my mother in Adela, and I was sorry that maybe she was so very real, so very alive, because Elizabeth Berridge became a widow a few years before this book was published.

1998 – 253 by Geoff Ryman

A train on the Bakerloo line can seat 252 passengers, and so, if there is nobody standing, the driver makes 253. This is the story of those 253 souls, at one particular moment on one particular day.  Or rather it is 253 stories, each told in 253 words that explain how they appear, who they are, and what they are thinking.  It was a remarkable feat, to create 253 different stories, to show so many different aspects of life, and to show how many different threads linked different passengers, sitting in different seats.

The Daughters of a Genius: A Story of Brave Endeavour by Mrs George Horne de Vaizey

The title is big, the author’s name is long, but this is a lovely little book.

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And it’s a story of sisters, written and set at the very start of the twentieth century. There are four of them – Philippa, Theo, Hope and Madge – and they are facing an uncertain future. Their father was dead and, although he had been a genius, although he left the world books, songs, poems, and paintings, he did not leave a great deal of his money.

Their uncle counselled caution, explaining that if they were careful they could preserve their capital, and they could live quietly on the interest until husbands came along. It would be the sensible, conventional thing to do, but Philippa – as spokeswoman – told her uncle that a different plan was being put in place.

The family – the four girls; their elder brother, Steve; and their younger brother, Barney – was going to let the family home, move to London, and use their capital to develop their talents, so that they could support themselves by their own efforts.

  • Steve worked for a solicitor, and he had already been offered a job in a London office.
  • Philippa, whose talents were in the domestic sphere, would keep house.
  • Theo was a musician and she would write and sell songs, and accompany the performers.
  • Hope had been writing stories since she was ten years old, and she knew she could polish them and sell them to magazines.
  • Marge was an artist, and she would go to art school and investigate commercial art.
  • And Barney would leave school and go out to work.

They knew that they might not succeed, but they knew that they had to try. And so the family moved to a London flat, to live in genteel poverty, and all kinds of adventures ensued.

Mrs GDVH proved herself to be a very fine storyteller, and she drew the sisters beautifully. They were all different, and yet they had things in common, they weren’t too different. And the relationships between them, for good and for bad, were utterly believable.

Philippa was sensible and practical, but she struggled in stressful situations and needed her sisters to help her through; Theo was the confident one, the one who went out and made things happen; Hope was quiet and thoughtful, doing her best to support her sisters, while she pursued her own goals; and Marge was the bright bubbly sister, determined to hold things together and to sell her art and pay her way.

They all had their ups and downs, and it was lovely to watch them. I was drawn into their home and into their lives, because so many moments, so many details, were captured so beautifully.

I loved the supporting characters they drew into their story: the ageing songstress, who might or not prove to have a heart of gold; the neighbour upset by the noise of music and drama practice who Philippa had to win over; cousin Avice, who was rather bored with life until Theo shook things up …

But I do wish as much attention had been paid to the two brothers. Steve went to work and came home and was only allowed into the story when a man of the house was needed, and Barney was rather a stock troublesome younger brother, though, to be fair, he did get his own storyline in the end.

The plot worked very well, as an entertainment, an upbeat story of bright young women in Edwardian England. Nothing more and nothing less.

But things went wrong at the end. Two things happened that seemed out of place. Philippa prayed in the night, confident that her prayers would be answered, and the perspective changed for just a moment, to Hope as an established author, looking back at her early efforts. And then when it seemed the story was drawing to a close – with an engagement, with travel plans being made, with another romance about to flower – it was suddenly wound up. It didn’t feel quite finished, but the story was over.

That was disappointing, but I loved 90% of the book and I am definitely going to read more of Mrs GDVH’s many books, when I’m looking for nice, girly, Edwardian entertainment.