The Outline of Love by Morgan McCarthy

I fell in love with Morgan McCarthy’s writing last year, when I read, The Outline of Love, a wonderful debut novel. And so I was intrigued when a read about this, her second novel, which mixes a Greek myth with a contemporary coming of age. I thought it might be the perfect coming together of writing style and subject matter.

18018180Persephone Triebold grew up on a country estate in the Scottish Highlands, the only child of a widowed father who was anxious that she shouldn’t be disadvantaged by her circumstances, and that she should always know how much her mother had loved her. She grew up to be self possessed, self aware, confident of her place and importance in the world and yet just a little bit insecure, and little too anxious to be like, and liked by, her peers.

She wasn’t entirely likeable, but she was utterly believable, and more than interesting enough for me to want to follow her story.

Persephone travelled to London to study, and she fell into student life quite naturally. That world lived and breathed, just as she did, and it was lovely to watch her take in the wonders and the horrors of the big city.

There was just one thing missing: the grand romance that she had imagined, that she had waited for, for such a long time.

Persephone was intrigued when her friends began to talk excitedly about Leo Ford’s return to London. He had been the frontman of an indie band, he had reinvented himself as a novelist, he was celebrated, and he was the subject of intense media speculation. That made him an ideal object of infatuation.

They all wanted to find a way into his social set, and into his life. It seemed impossible but, as the result of an unfeasibly wonderful stroke of luck, Persephone did it.

But, close as she got,  Leo remained elusive. She never felt that she really knew him, or understood him. Or that he trusted her with his feelings, or his history.

As Persephone wondered about her place in Leo’s life she was approached by a journalist. He told her that he was working on a story about Leo’s past, about his family, about how had become what he was. She didn’t want to believe him, she didn’t want to know, but she knew she had to do something ….

The picture that Morgan McCarthy painted of Persephone’s first year in London, was pitch perfect, with every detail right, and so very, very beautifully written. And when she was at the centre of the story I was captivated. I saw the world through her eyes, and I understood what she did and why she did it.

But there were problems.

I couldn’t quite believe in Leo, or his drug addict turned academic sister Ivy. I understood that they kept their secrets, but they didn’t live and breathe, they were characters put in place so that the story could be played out.

And the echoing of the classical story of Persephone and Demeter was rather heavy handed. The naming of Persephone, the frequent mention of how unusual her name was, Ivy’s book that retold that story, Persephone’s reading of that book… It was all too much, and it compromised the story.

Those flaws weren’t fatal, but they were distractions.

The final revelation was not entirely surprising, but it did make sense of the story. Far, far more interesting though was Persephone’s reaction,  and what she came to realise about love, friendship, family, life ….

She came of age.

I still think that Morgan McCarthy is a wonderful writer. She paints characters and worlds so beautifully, understanding and capturing every nuance.

But, maybe because she has tied this story to another, she has written a good book, when I think she has the potential to write a very good, and maybe a great book.

A Box of Books for 2012

I love reading bookish reviews of the year, but this year I have struggled to write one of my own.

A list – be it a top ten, a top twenty, a list by categories – felt too stark, too cut and dried. And I couldn’t find a questionnaire that worked for me.

But then, yesterday, inspiration struck.

I would assemble a virtual box of books that would speak for my year in books. They would be books that had offered something to my heart, my mind, or my soul, in what has been a difficult year.

And I would stick a virtual post-it note to each book, either my thoughts when I read it or a quotation that had picked up to remind me why that book was in my box.

I found that I had twenty-five books. I think that’s just about viable for a single box, as a few of them were little Penguin books and one of them was even littler than that. Though I wouldn’t want to have to carry it any great distance …

Before I show you what is in my box, there are people I really must thank – authors past and present, publishers, sellers of books both new and used, fellow readers – who have all done their bit to make the contents of my box so very lovely.

And now all I have left to say is – Here are the books!

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Diving Belles by Lucy Wood

Often the books you love are the most difficult to write about. How do you capture just what makes them so very, very magical? Diving Belles is one of those books.It hold twelve short stories. Contemporary stories that are somehow timeless. Because they are suffused with the spirit of Cornwall, the thing that I can’t capture in words that makes the place where I was born so very, very magical.

The Dovekeepers by Alice Hoffman

In 70 C.E., nine hundred Jews held out for months against armies of Romans on Masada, a mountain in the Judean desert. History records that only two women and five children survived the siege … An extraordinary story. And the foundation upon which Alice Hoffman has built an epic novel. An extraordinary novel.

The Last Summer by Judith Kinghorn

“I was almost seventeen when the spell of my childhood was broken. There was no sudden jolt, no immediate awakening and no alteration, as far as I’m aware, in the earth’s axis that day. But the vibration of change was upon us, and I sensed a shift; a realignment of my trajectory. It was the beginning of summer and, unbeknown to any of us then, the end of a belle époque.”

Monogram by Gladys Bronwyn Stern

“Mental collections can be as dearly prized as those we keep behind glass, like snuff-boxes, fans or china cats; or the collection of a man who assembled everything that happened to be the size of a fist. I have a mental collection of moments on the stage, moments of horror, irony, beauty or tension …”

Tom-All-Alone’s by Lynn Shepherd

I read such wonderful prose:  compelling storytelling mixed with vivid descriptions. The sights, the sounds, the smells assaulted my senses.  And I learned terrible things that I might rather have not known, but that I never for one moment doubted were true. Nothing is more frightening than the evil that men do. I heard wonderful echoes of more than one great Victorian novelist; and I saw knowledge, understanding, and great love for their works.

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The City of Beautiful Nonsense by E Temple Thurston

“You’ve got to see Venice. You’ve got to see a city of slender towers and white domes, sleeping in the water like a mass of water lilies. You’ve got to see dart water-ways, mysterious threads of shadow holding all those flowers of stome together. You’ve got to hear the silence in which the whispers of lovers of a thousand years ago, and in the cries of men, betrayed, all breathe and echo in every bush. these are the only noises in Venice – these and the plash of the gondolier’s oar or his call ‘Ohé!’ as he rounds a sudden corner. “

Alys Always by Harriet Lane

This is a story that brings a clever mixture of influences together beautifully. It could be Patricia Highsmith writing with Barbara Pym. Or Anita Brookner writing with Barbara Vine perhaps. But no, it’s Harriet Lane, and she has created something that is entirely her own. She writes with both elegance and clarity, she balances suspense with acute observation, and she understands her characters, their relationships, the worlds they move in absolutely perfectly.

Harriet by Elizabeth Jenkins

I read ‘The View from Downshire Hill,’ Elizabeth Jenkins’ sadly out-of-print autobiography a few year ago and so I was familiar with the story of ‘Harriet’ before I was able to read the book. I knew exactly what would happen, but still I was captivated. Because Elizabeth Jenkins wrote so beautifully, and with such understanding of the characters she recreated, and of their psychology.

The Colour of Milk by Nell Leyshon

The prose is sparse, the story is short, and yet it holds so much. Every character is simply but perfectly drawn, and each and every one is important. Just a few words of description, a few words of dialogue painted wonderful pictures of lives and relationships. And of a place and time.

The One I Knew the Best of All by Frances Hodgson-Burnett

“The Small Person used to look at them sometimes with hopeless, hungry eyes. It seemed so horribly wicked that there should be shelves of books – shelves full of them – which offered nothing to a starving creature. She was a starving creature in those days, with a positively wolfish appetite for books, though no one knew about it or understood the anguish of its gnawings. It must be plainly stated that her longings were not for “improving” books. The cultivation she gained in those days was gained quite unconsciously, through the workings of a sort of rabies with which she had been infected from birth. At three years old she had begun a life-long chase after the Story.”

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The Painted Bridge by Wendy Wallace

A carriage pulled up outside. Mrs Anna Palmer, the young wife of an elderly clergyman arrived. She thought she had come to meet friends of her husband, but she was wrong. She had been very cleverly tricked, and she found herself incarcerated in Lake House, a private asylum for gentlewomen. First she was astonished and then she was outraged. But she was utterly trapped. By the power of a cruel husband, by the strictures of Victorian society, and by her own nature.

White Ladies by Francis Brett Young

“And then, of a sudden, the trees seem to fall back on either side, disclosing with the effect of a fanfare of trumpets breaking through a murmur of muted strings, above, an enormous expanse of blue sky, and below, a wide sward of turf, most piercingly green within the woods’ dense circlet. And in the midst of the green sward stood a house.”

Snake Ropes by Jess Richards

“I am reading reading reading, locked in the stories. I am a wicked daughter, a drunken witch, a terrible scientist, a king with a severed hand, a resentful angel, a statue of a golden prince, the roaring wind, an uninspired alchemist, a fantastic lover who has only one leg, a stage magician with glittery nails, a shivery queen with a box of Turkish sweets, a prostitute wearing poisoned lipstick, a piano player whose hands are too big, a raggedy grey rabbit, a murderer with metal teeth, a spy with an hourglass figure … I am eighteen years old and my real life is here locked inside these books.

Catherine Carter by Pamela Hansford Johnson

It is a love story, set in London’s theatre world in the latter days of Queen Victoria’s reign. And it is a tour de force, balancing the recreation of a world, a cast of utterly real characters, and a perfectly constructed plot quite beautifully.

Mistress of Mellyn by Victoria Holt

“There are two courses open to a gentlewoman when she finds herself in penurious circumstances,” my Aunt Adelaide had said. “One is to marry, and the other is to find a post in keeping with her gentility.” As the train carried me through the wooded hills and past green meadows, I was taken this second course; partly, I suppose, because I had never had an opportunity of trying the former.”

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Shelter by Frances Greenslade

Forty years ago, two sisters were growing up, in a small town, set in the wild countryside of British Columbia. Maggie and Jenny Dillon lived in an unfinished cabin home with their quiet reliable father, Patrick, and their imaginative, free-spirited mother, Irene. A happy family. Maggie tells their story. And she tells it beautifully. Her voice rang true and she made me see her world, her sister, her father, her mother. I understood how the family relationships worked, I understood what was important to them. And I saw enough to understand one or two things that Maggie didn’t.

Wives and Daughters by Elizabeth Gaskell

“All Hollingford felt as if there was a great deal to be done before Easter this year. There was Easter proper, which always required new clothing of some kind, for fear of certain consequences from little birds, who were supposed to resent the impiety of those who do not wear some new article of dress on Easter-day.’ And most ladies considered it wiser that the little birds should see the new article for themselves, and not have to take it upon trust, as they would have to do if it were merely a pocket-handkerchief, or a petticoat, or any article of under- clothing. So piety demanded a new bonnet, or a new gown; and was barely satisfied with an Easter pair of gloves. “

The Fortnight in September by R C Sherriff

They settled into their holiday routine. Mr Stevens secured a beach hut, and they would bathe, play ball on the sand, watch the world go by. They would visit familiar attractions too. And journey out into the surrounding countryside. There was time and space to think too. Mr Stevens worried about his position in the world. Dick wondered where he was going in life, what possibilities were open to him. Mary fell in love. And Mrs Stevens broke with convention to sit down with he landlady, to offer a sympathetic ear when she spoke of her concerns about the future. Lives were changing, and the world was changing.

Kind of Cruel by Sophie Hannah

Amber Hewerdine was losing sleep, and it really wasn’t surprising. Her best friend died in an arson attack, the arsonist had never been identified, and now Amber and her husband, Luke, were bringing up her friend’s two young daughters. An incident that happened at a family Christmas spent in a holiday cottage was still troubling her. Luke’s sister, her husband and their two young sons disappeared on Christmas day, not returning until the next morning when the refused to give any explanation of what had happened. And things got worse …

The Woman in White by Wilkie Collins

I’ve been terribly torn over the question of whether of not to re-read Wilkie Collins. You see, I fell completely in love with his major works when I was still at school, and I was scared that I might tarnish the memories, that his books might not be quite as good as great as I remembered. I’m thrilled to be able to say that my fears were unfounded. The Woman in White was better than I remembered. A brilliantly constructed and executed tale of mystery and suspense, written with real insight and understanding.

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Thérèse Racquin by Émile Zola

Thérèse was the daughter of a French sailor and a native woman. Her father her to took his sister, a haberdasher, to raise with her son. Camille, a bright but sickly child. It was expected that Thérèse and Camille would marry, and marry they did. Not because either one had feelings for the another, but because it didn’t occur to either of them to do anything else, or that life could offer anything more than they already knew. Zola painted a picture of dark and dull lives, and yet he held me. Somehow, I don’t know how, he planted the idea that something would happen, that it was imperative that I continued to turn the pages.

The Home-Maker by Dorothy Canfield Fisher

The very, very best novels leave me struggling for words, quite unable to capture what it is that makes them so extraordinary. The Home-Maker is one of those novels. It was published in the 1920s, it is set in small town American, and yet it feels extraordinarily relevant. It is the story of the Knapp family – Evangeline, Lester and their children, Helen, Henry and Stephen. A family that was unhappy, because both parents were trapped in the roles that society dictated a mother and a father should play.

The Other Half of Me by Morgan McCarthy

As I read The Other Half of Me, Morgan McCarthy’s first novel, I heard echoes of many other stories. Stories of lives lived in grand country houses. Stories of troubled families harbouring dark secrets. Stories of privileged, but troubled, lives … and yet, through all of that, I heard a new and distinctive story.

The Heir by Vita Sackville-West

Blackboys was home, and its faded grandeur gave him beauty, comfort, and a place in the world, a point in history. He came to realise that slowly, as he walked through galleries full of family portraits, as he looked across beautiful gardens towards rolling hills, as he sat, peacefully in his  wood-pannelled library.

The Uninvited by Liz Jensen

“Mass hysterical outbreaks rarely have identifiable inceptions, but the date I recall most vividly is Sunday 16th September, when a young child in butterfly pyjamas slaughtered her grand-mother with a nail-gun to the neck. The attack took place in a family living room in a leafy Harrogate cul-de-sac, the kind where no-one drops litter, and where you can hear bird-song…”

And now tell me, what would you put in your box for 2012?

The Other Half of Me by Morgan McCarthy

As I read The Other Half of Me, Morgan McCarthy’s first novel, I heard echoes of many other stories. Stories of lives lived in grand country houses. Stories of troubled families harbouring dark secrets. Stories of privileged, but troubled, lives … and yet, through all of that, I heard a new and distinctive story.

Jonathan and his younger sister, Theo, grew up in a mansion in the Welsh countryside. They were terribly isolated. Their father was absent. Their mother, Alicia, was remote. And their neighbours held them at arm’s length. Only the staff – the housekeeper, the cook, the gardener – had any time for the children.

And so they clung to each other, and they ran wild.

Until their grandmother, socialite and hotel magnate, Eve Anthony, heard that something was amiss and came home to take charge of the situation. She was capable and she reassured her grandchildren, telling them stories that explained much about the past and their family situation.

Jonathan and Theo grew in different directions: he was practical and ambitious while she was needy and heedless of the consequences of her actions. The bond between them was strained.

Both began to question the gaps in Eve’s stories, and to wonder if those stories were true at all. And if Eve wasn’t telling the truth who was she trying to protect. Her grandchildren, her daughter, or herself?

Tragedy was inevitable. And the grief it caused might be too much to bear.

Morgan McCarthy tells her story beautifully. Her style is languid and lovely, her turn of phrase is charming, and she has a very nice way with a metaphor.

There is light and shade, and a lovely mixture of the mysterious and the elegiac.

She made a wise choice in appointing Jonathan as her narrator. He alone had the self-awareness and the momentum for the job, and I never doubted that I was seeing, hearing, understanding as he had. That meant a few details were missing, a few characters were less defined than they might have been, but that was the right choice, to hold the perspective.

The story moves slowly and there are long stretches when nothing happens, but the beauty of the writing, the wonderful evocation of the world that Jonathan moved through, the questions hanging in the air, all of that held me.

I worked out some of the answers, but not all of them.

The complex and changing relationship between brother and sister gave the story its heart and the ever-present sense of menace and foreboding gave  it substance.

There were times when I felt that Morgan McCarthy was over-playing her hand. That the family was a little too wealthy, the Eve had done a little too much in a single lifetime, that Theo couldn’t really be so desperately short of self-knowledge …. but the story still worked, because all of the emotions and the psychology rang true.

Now that I have reached the end I realise that the story was moving, haunting, and quite beautifully written.

That’s a wonderful achievement for a first novel, and I am intrigued to read whatever else Morgan McCarthy may write in the future.