What do I have on the shelves for Reading Ireland Month?

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My first thought when I read about Reading Ireland Month was that it would would beautifully with the TBR Dare, because I know that there are Irish books to be read on the Virago bookcase and at various other places around the house.

There are more than I’ll read in March, but I do like to make a list and to have choices.

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The first name that came to mind was Molly Keane. I love her writing but there’s something about her books – a sharpness, a distinctiveness, I don’t know quite what to call it – that makes me inclined to space them out. I haven’t read one for a while though and I think it’s time. Maybe ‘Mad Puppetstown’:

In the early 1900s Easter lives with her Aunt Brenda, her cousins Evelyn and Basil, and their Great-Aunt Dicksie in an imposing country house, Puppetstown, which casts a spell over their childhood. Here they spend carefree days taunting the peacocks in Aunt Dicksie’s garden, shooting snipe and woodcock, hunting, and playing with Patsy, the boot boy. But the house and its inhabitants are not immune to the “little, bitter, forgotten war in Ireland” and when it finally touches their lives all flee to England. All except Aunt Dicksie who refuses to surrender Puppetstown’s magic. She stays on with Patsy, living in a corner of the deserted house while in England the cousins are groomed for Society. But for two of them those wild, lost Puppetstown years cannot be forgotten ….

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 Mary Lavin is best known for her short stories, but she also wrote novels and I have two in my Virago Collection. I most like the look of ‘The House on Clewe Street’

Theodore Coniffe, austere property owner in Castlerampart, looks forward to the birth of an heir when his third and youngest daughter, Lily marries. A son is born, but the father, Cornelius Galloway, is a spendthrift who dies young, leaving the child to the care of Lily and her sisters, Theresa and Sara. Their love for Gabriel is limited by religious propriety and his youth is both protected and restrained. At the age of twenty-one Gabriel runs away to Dublin with Onny, the kitchen maid. Here they tumble into bohemian life. But Gabriel is ill-suited to this makeshift freedom and finds the values of Clewe Street impossible to evade.

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I absolutely love Kate O’Brien‘s writing and I have read all of her books that were published by Virago, but I have one other sitting on a shelf on the next bookcase along. ‘Of Music and Silence’ looks lovely, I’ve been saving it, but I think its moment might have come.

It is the story of two penniless Irish girls who are sent to the Continent to become opera singers. Lovely, vulnerable, unaware, they are first flung into a regime of rigorous training and then released into the fantastic, exacting world of Italian opera in the 1880’s, with its dedicated striving, love, jealousy and passionate friendships.To Clare and Rose, student life and their fellow-students at the pension are as great a revelation after the green quiet of Ireland as the sun-drenched atmosphere of Rome, the picnics on the Campagna, moonlit suppers in trattorie above the sea.Thepension is followed by some of the world’s great opera stages as the girls sing their way upwards towards prima donna roles and fame. And alongside their development as singers the author traces compassionately their development as women, loving and desired, in this forcing house of emotions, where all are obsessed by song, and love is heightened by the spendour of music.

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I found Tana French on the same bookcase, on the next shelf down. I’ve read her first three novels, and I’ve been meaning to read her fourth – ‘Broken Harbour’ – for quite some time.

In the aftermath of a brutal attack that left a woman in intensive care and her husband and young children dead, brash cop Scorcher Kennedy and his rookie partner, Richie, struggle with perplexing clues and Scorcher’s haunting memories of a shattering incident from his childhood …

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The Collegians by Gerard Griffin is on the same shelf, and it’s on my Classics Club list.

A romantic melodrama set in rural Ireland in the early 19th century, this complex story of love, rivalry, secrecy, and betrayal, based on a real case of 1829, was one of the most successful thrillers of its day

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I’m a little wary of ‘There Were No Windows’ by Norah Hoult, which I know is waiting on the Persephone bookshelf, because it deals with ageing and dementia and the stage of life where my mother is now. But there’s a voice in my head saying that maybe that’s why I should read in now.

Set in London during the blackouts of the Blitz, this 1944 novel describes the last months of Claire Temple, a once-glamorous woman who is now losing her memory. Divided into three ‘acts’, beginning with Claire’s own experience of her dementia, the rest of the book is told through the characters who work for or visit her. As Claire struggles with her memory, the reader must reconstruct not only her life but her identity.

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‘The Wild Geese’ by Bridget Boland is another book I could pluck from the Virago shelves. It’s an epistolary novel – which is always a good thing – and it touches on an aspect of Irish history that I don’t know much about.

In eighteenth-century Ireland, Catholics are forced to practice their religion in secret, they cannot buy or improve their land, nor enter any profession or trade. In this climate a lively underground traffic develops between Ireland and Europe–young boys are smuggled to Catholic schools abroad and many eventually join the armies of foreign princes. If they return to their native land, these “Wild Geese” are in danger of their lives. Through the story of the Kinross family and their letters to one another, we learn of these desperate times: of Brendan’s struggle to maintain the Kinross estate; of the dangers Maurice faces as an outlaw in his own country, and of their sister Catherine and her love for Roderick O’Byrne, a soldier recruiting for Irish regiments in France.

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Maura Laverty is another author I discovered through Virago. I’ve read the two of her novels that Virago published, but I have another novel that hasn’t been reprinted that I found in a second-hand bookshop a year or two ago. ‘Alone We Embark’ is another book I’ve been saving. It’s a plain little hardback, I haven’t been able to find out much about it, but I loved the two books I’ve read more than enough to take this one on trust.

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I’ve been reading to read Somerville & Ross for ages, and I have just one of their books in the house, somewhere upstairs – ‘In The Vine Country.’

The Irish pair tour Medoc country at the time of the vine harvest. During their stay they dance with the harvesters, drink freshly trodden wine, stay in a barn with dubious bedlinen and visit a grand chateau.

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Also upstairs is a proof copy of ‘Black Lake’ by Johanna Lane. I started reading last year, but when the story went in a quite different direction to the one I expected I put it down again. I meant to pick it up again, and I really don’t know why I haven’t.

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The last book I bought in December, before the TBR Dare began, was a newly reissued Victorian novel – ‘The Quest for Fame’ by Charlotte Riddell  – it’s waiting on my bedside table.

After the death of her mother and the loss of her family’s fortune, it falls to young Glen Westley to do what she can for herself and her ailing father. Determined to make her own way in the world, she moves from the West of Ireland to London and works tirelessly to succeed as a novelist, despite the limitations her sex and nationality represent. Having struggled so long for fame, it is at last thrust upon her – but fame always comes at a price.
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There’s just one more book that I can think of, and it’s in the virtual TBR. I read Niall Williams’ early novels and I liked them, but I haven’t read anything of his for years. When I save ‘The History of Rain’ on the Man Booker long-list I thought it was time to try his work again.

Bedbound in her attic room beneath the falling rain, in the margin between this world and the next, Plain Ruth Swain is in search of her father. To find him, enfolded in the mystery of ancestors, Ruthie must first trace the jutting jaw lines, narrow faces and gleamy skin of the Swains from the restless Reverend Swain, her great-grandfather, to grandfather Abraham, to her father, Virgil – via pole-vaulting, leaping salmon, poetry and the three thousand, nine hundred and fifty eight books piled high beneath the two skylights in her room, beneath the rain.

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That’s pretty much all I can find, and that’s probably the right number of books form me to have a choice and not waste good reading time dithering.

Are there any you would recommend – or any that you’re particularly curious about?

And who are your favourite Irish authors? What are your favourite Irish books?

Conversation Piece by Molly Keane

Although it is in print, as a Virago Modern Classic, ‘Conversation Piece’ almost seems to be Molly Keane’s forgotten novel. I can only find aa passing mention in her biographical details, searching online I found only a handful of very brief reviews, and even the author interview that takes the place of an introduction in the copy I have just read only mentions it in passing.

I can almost understand the lack of attention. This is an early work – but not so early as to be interesting on that account – and it lacks some of the qualities that made many of her thirteen novels so special. But it paints a wonderful picture of life in an Irish country house at the start of the twentieth century – the world that Molly Keane grew up in – and it tells a simple story well.

Conversation PieceThat story is told by Oliver, the son of a younger son, who comes to visit his uncle and his cousins at the family home, a grand if rather shabby country house, known as Pullinstown.

“To be with these Irish cousins, their kindness mine and the quick fire of their interest changes me strangely, I think, so that all safe known values are gone for me and I am theirs.”

He is enchanted by the house, and by the cousins, and he describes them simply and beautifully. I really did feel that he was telling his story, speaking or writing, and he brought a house, a family, and a way of living to life on the page.

I was as taken as he was with his cousins, Dick and Willow. They were close, they were completely caught up with life and their shared interests, but as soon as they realised he was one of them, and not quite one of the grown-ups, they warmed to him and drew him into their circle. I liked their father, Sir Richard, who knew that he was growing old but wasn’t quite ready to be bested by his offspring. And I loved James, the unflappable butler who could turn his hand to almost everything.

When James fell ill it was Dick and Willow who cared for him, while the housemaids ran riot.

Times were changing, and Pullinstown was a country house in decline …

‘Conversation Piece’ isn’t so much a story as a telling of how life was, and of particular times that would always be remembered. That’s where the story almost fall down, because the family’s lives were centred around hunting, shooting, fishing and other country pursuits. The stories were well told, but there were too many of them, and they didn’t hold my interest.

There was an underlying story, of young and old, of how they, sometimes knowingly and sometimes unknowingly affect each others lives. That was engaging, and I wish it had been developed a little more, given a little more room to breathe.

When the story ended I wished that I could have spent a little more time with Oliver, Dick and Willow, and know a little more of what their futures held.

What I found most interesting about ‘Conversation Piece’ was that, although the style was recognisably Molly Keane’, although there were so many things – the country house, the lifestyle, the period – that can be found in her other novels, this book was different. The style was straightforward, the tone was often elegiac, and it was so clearly written with love.

I’m inclined to think that it has elements of autobiography, or that maybe it was inspired by friends and family.

I think that I need to read more of her work, so that I can really put it into context.   I love her writing, and I am struck by the variation in the stories she has spun around Irish country houses.

I can understand now why ‘Conversation Piece’ is nearly forgotten, but I am glad that is not completely forgotten. For its own sake, and for the sake of understanding the writing life of an intriguing author …..

Bookish Thoughts as the Year Ends

Try as I might I can’t distill a year of wonderful reading into lists.

But I can answer a few questions from The Perpetual Page Turner

Best Book of 2011

I have read some wonderful books this year, but if I have to single out just one, the book closest to my heart is The Snow Child by Eowyn Ivey.

Worst Book of 2011

Oh dear. It has to be What They do in the Dark by Amanda Coe. It started beautifully, it had so much potential, but good ideas were ruined as things were taken much, much too far.

Most Disappointing Book of 2011

I have loved Susan Hill‘s crime novels in the past but I was disappointed in her most recent, The Betrayal of Trust. The plot and the characters came a very poor second to themes that the author clearly had strong feelings about but pushed much too hard for me.

Most Surprising (in a good way) Book of 2011

The idea of a novel in verse scared me, but Lettice Delmer by Susan Miles was a Persephone Book, it had appeared in a library sale, and so I gave it the benefit of the doubt. And I found a troubling story quite brilliantly told.

Book Recommended Most in 2011

I found Ten Days of Christmas by Gladys Bronwyn Stern in a bargain bin. It had no dust jacket, no synopsis, and so I did a few searches to try to find out more, but I couldn’t find anyone who had written about it. So I read, I wrote , and I’ve noticed a good few people have ordered copies and a couple more reviews have appeared. I really am thrilled.

Best Series You Discovered in 2011

I read and loved The Return of Captain John Emmett last year, and so I was eager to read Elizabeth Speller‘s second novel, The Strange Fate of Kitty Easton. I was surprised, and delighted to meet Lawrence Bartram again, to see his story progress, and to notice some very interesting hints about where his story might go next.

Favourite New Author in 2011

I’ve found a few new authors I want to keep tabs on, but if I’m going to pick out one I think it must be Rachel Hore. I read The Gathering Storm, I fell in love with her writing, and now I have an intriguing backlist to explore.

Most Hilarious Read in 2011

I am not a great lover of comic writing, but there’s something about Molly Keane, Time After Time was dark, sad, grotesque, and yet very, very funny.

Most Thrilling, Unputdownable Book of 2011

I was intrigued and confounded by True Things About Me by Deborah Kay Davies. I just couldn’t work out who this woman was, why she did the things she did.

Book Most Anticipated in 2011

Greenbanks by Dorothy Whipple was surely the most eagerly waited reissue of 2011. And it more than lived up to some very high expectations.

Favourite Cover of a Book in 2011

Most Memorable Character in 2011

Oh, Miss Ranskill! I shall never forget you, and I shall never forget The Carpenter. Barbara Euphan Todd told your story so well in Miss Ranskill Comes Home.

Most Beautifully Written Book in 2011

That would be a book I’m still reading. Vanessa Gebbie’s novel, The Coward’s Tale, uses words – their meanings, their sounds, their rhythms – quite brilliantly. I even find myself reading with a Welsh accent …

Book That Had the Greatest Impact on You in 2011

I was intrigued from the first moment I saw No Surrender by Constance Maud. A suffragette novel! I realised how little I really knew, and this book has inspired me to find out more – The Virago Book of Suffragettes is now sitting on the bedside table.

Book You Can’t Believe You Waited until 2011 to Read

I can remember seeing Mary Stewart‘s books on the library shelves years ago, when I moved up from the junior to the adult library, but it wasn’t until this year that I read one. It was Thunder on the Right, and I loved it …

… a wonderful year of reading … and now it’s time to start another …

HAPPY NEW YEAR!

A Walk Around The Fiction Shelves

Last time I was in the library I realised that I hadn’t posted about library books for quite some time. And I had an idea. Instead of writing about the books I brought home I would write about the books that caught my eye, for many different reasons, but got left behind…

I was disappointed to see Isabel Ashdown’s first two novels – Glasshopper and Hurry Up and Wait – on the shelves. Two wonderful books that really should be out on loan.

I do wish that my library had a system in place for displaying reader recommendations. At the moment I just rearrange books so that ones I think need a little push are more prominent, but I’ve signed up for a new friends of the library group, so hopefully I’ll get the chance to do a little more.

I noticed a lovely hardback copy of The Children’s Book by A S Byatt. I have a copy of my own and it looked rather intimidating but recently I picked up Ragnarok, Byatt’s contribution to the Canongate Myths series, and it reminded me just how good her writing is.

I counted three titles by Willa Cather in Virago Modern Classics editions – Lucy Gayheart in a traditional green cover and O Pioneers and My Antonia in more recent editions. I love Willa Cather’s writing but its a long time since I read any of her books.

All of her novels are on my shelves and I’m hoping to re-read at least one of two for the Willa Cather Novel Reading Challenge at Wildmoo Books

I spotted two books that I’d borrowed and then had to return unread, because other people had them on order and I didn’t want to read them in a rush. One day I’ll read them:

The Songwriter by Beatrice Colin and The Spider Truces by Tom Connolly

Please tell me I’m not the only person who has to do this?!

I caught sight of Henrietta’s War by Joyce Dennys, and wondered why I haven’t read it yet. I have a copy of my own, it’s very short, and it looks terribly readable. Silly really!

I paused to peruse an Everyman Classics edition of The Wings of The Dove by Henry James. It was mentioned as a possibility for Venice in February, and now that I’ve look at it again the idea of a re-read really appeals. But it may be a book too many. I’ll see how things are – and if it’s still on the shelf – when February comes.

I’m always drawn to The Wilding by Maria McCann. A lovely historical novel and the hardback edition has a beautiful cover.

My hand automatically went out to A Month in The Country by Jocelyn Playfair. Because it was a dove-grey Persephone edition and I always hope that one day the library will have one of the Persephones I don’t own.

It hasn’t happened yet, but I can dream.

I noticed two more Virago Modern Classics with striking new covers – A Glass of Blessings and Excellent Women by Barbara Pym.

I love and miss the traditional green Virago covers, but I have to admit that new editions of books by Barbara Pym, Molly Keane and Elizabeth Taylor do seem to be very popular in the library. And that has to be a good thing, doesn’t it?

I saw Cutting For Stone by Abraham Verghese. I have read so much praise for this book and I will read it one day.

I spotted of the three books in Anne Zouroudi’s Greek Detective series – The Messenger of Athens, The Doctor of Thessaly and The Lady of Sorrows. Books one, three and four. Trouble is I’m after book two – The Taint of Midas.

Why does that always happen when I want to read a series in order? I see the earlier books that I’ve read, I see the later books that I’m not ready for, but I never seem to see the book I want!

And, finally, I saw Thérèze Raquin by Émile Zola. I meant to re-read it for this year’s RIP Challenge, but I wanted to read more books than I had time for and this one fell by the wayside. maybe next year.

So many books to ponder, for so many reasons.

Does anybody else do this too?

Time After Time by Molly Keane

In Time After Time Molly Keane extends an invitation to an Irish country house. It’s an invitation that I am very glad that I accepted.

The house was once beautiful, but it has fallen upon hard times. The kitchen still offers a welcome, but the cooks and kitchen maids who brought it to life have long since departed, and even the Aga is losing the will to go on.

The kitchen is Jasper’s domain. Well actually the whole house and estate is his, but he has to share it with his three elderly sisters. One widow and two spinsters, all left a right of residence by darling Mummie, whose wishes none of her children would ever question.

He’s an aesthete and a dreamer, and he’s also bright enough to know that whoever rules the kitchen rules the house. Well they would if they didn’t have to contend with his sisters.

April, the only one to have married, is now widowed, and in her mind that places her way above her siblings. But her husband is long gone and now her life centres around her clothes, her beauty treatments, and her home comforts…

May’s life is filled with domestic arts. She is president of the Flower Arrangers’ Guild for year, she is a dab hand at making pictures from scraps of tweed, wool and sprigs of heather…

And Baby June is the practical one, managing the farm, always outside, always with something important to do…

Each of the Swifts has a cross to bear: Jasper lost an eye, April is stone deaf, May has a deformed hand, and Baby June, well Baby June is rather slow… And each of them tries to fill their lives with the important things they do, with possession, with the cats and dogs who are so cosseted in the absence of children. They live together, bickering like children because they are unhappy with their lives.

The portraits that Molly Keane paints of the Swift siblings as they move through their lives are so rich, so vivid and so wonderfully detailed.

Grotesques. Realism. Comedy. Tragedy. Only Molly Keane can balance all of those elements to such fine effect.

I laughed, I cried, and I wanted to scream at them to admit that they were unhappy, that there lives didn’t have to be ruled by what their mother had thought in a different age, that they could change their lives. But I knew that they wouldn’t have listened, and that even if they had they wouldn’t have believed me.

The pictures change when cousin Leda comes to visit. As a child she was that little bit different, and the Swifts didn’t know quite how to react. To pay court or to close ranks. And it is just the same now that Leda is a widow and has lost her sight. How like children they all are.

Leda says things, does things, crosses lines that the Swifts never would. And of course there are consequences. When finally she leaves they realise that life will never be the same again.

It’s still comic, it’s still tragic, it’s still grotesque, and it’s still real.

Now that I have left too I miss the whole household. As is so often the case with Molly Keane’s creations, I really wouldn’t want to meet them but they are quite wonderful to observe.

A wonderful entertainment!