The Shuttle by Frances Hodgson-Burnett

There’s a lovely passage in Frances Hodgson-Burnett’s childhood memoir – ‘The One I Knew the Best of All’ – that recalls the joy of imagining what wondrous stories might be inside the books on the highest shelf that she couldn’t quite reach.

‘The Shuttle’ is exactly the right book for that child to have written when she became a grown up author. An author who understood the magic of the story; the very special kind of magic that captures children and makes them into life-long readers. This book has that magic in abundance, and I was utterly captivated, from the first page to the last.

The Shuttle

‘The Shuttle’ is set early in the twentieth century, at a time when wealthy American heiresses married into the British nobility. They gained titles and social standing, and their husbands gained the funds that they desperately needed to maintain their family estates.

Rosalie Vanderpoel, the sweet and naïve elder daughter of a New York millionaire, married Sir Nigel Anstruther, and she had no idea that all he wanted was her fortune. She soon learned that the man she had married was cruel, selfish and dissolute, but, because he was her husband, because she was already sailing across that Atlantic, away from her family and everything that she had ever known, there was nothing she could do.

Her younger sister, Betty, was still a child when Rosy married, and she saw Sir Nigel with the clear-sightedness of a child. She was suspicious of her new brother-in-law, and when Rosy failed to keep in touch with her family Betty feared the worst, and she began to make a plan. When she grew up she would go to England and rescue her sister.

When Betty arrives in England, ten years later, she finds her sister a pale shadow of her former self, abandoned with her young son in a crumbling mansion at the centre of a neglected estate while her husband fritters her family money on a life of debauchery.

There is a great deal that needs to be done to put things right, and Betty is the woman to do it. She has the same clear-sightedness that she had as a child, she has the understanding of business of what makes people tick that she learned at her father’s kmee, and she appreciates both American initiative and British tradition.

You have to love and admire Betty; she has intelligence, she has enthusiasm, she has empathy, and she is ready to spend money and to do whatever has to be done. She begins in the garden, with the gardener, and as the garden responds to love and care, so does the estate and the village around it.

The transformation of Rosy and of the estate that her young son with inherit is always at the centre of the story and it’s wonderful, rich in description, rich in understanding of humanity, but there is far more going on here.

An American typewriter salesman on a bicycling tour of Britain has a small but significant part to play.

The neighbouring estate over belongs to another impoverished nobleman, who loves his house and the country around it, but who doesn’t know how to save it and is far to proud to ask for help.

And back in America a proud and anxious father waited for news of his daughters.

Oh, this is a wonderful story, a big, old-fashioned book that makes it so easy to just read and read and read.

I loved the wonderful cast of characters: Rosy was lovely, and I really did feel for her; Betty was wonderful, the very best kind of heroine; their father was exactly the right kind of father; Mount Dunstan, from the neighbouring estate appeared weak but proved to be the best kind of hero; and Sir Nigel was a villain worthy of booing and hissing …..

It’s not subtle, but it is so lovely. Think of it as a story for a grown-up reader still on touch with their inner reading child ….

I loved that it was rooted in real history, and that the story explored the strengths and weaknesses of the British and American ways, and how they can work together for the greater good of both.

I loved that the author drew so very well on her own experiences, of life on both sides of the Atlantic and of marital abuse, and on her love of family, home and garden.

I loved the house and the garden that were described so beautifully and so lovingly that they came to life. I could see them, I really could.

And there’s a robin – if you’ve read ‘The Secret Garden’ you’ll appreciate that.

I loved that this was the story of the most wonderful heroine – and that the damsel in distress was rescued not by a knight in shining armour, but by her little sister!

I was a little disappointed that the end of the story lurched into melodrama, but in the end it was right. It was the ending that I had expected from quite early in the story, but the route there proved to be nicely unpredictable, and I loved every step of the journey.

A Box of Books for 2012

I love reading bookish reviews of the year, but this year I have struggled to write one of my own.

A list – be it a top ten, a top twenty, a list by categories – felt too stark, too cut and dried. And I couldn’t find a questionnaire that worked for me.

But then, yesterday, inspiration struck.

I would assemble a virtual box of books that would speak for my year in books. They would be books that had offered something to my heart, my mind, or my soul, in what has been a difficult year.

And I would stick a virtual post-it note to each book, either my thoughts when I read it or a quotation that had picked up to remind me why that book was in my box.

I found that I had twenty-five books. I think that’s just about viable for a single box, as a few of them were little Penguin books and one of them was even littler than that. Though I wouldn’t want to have to carry it any great distance …

Before I show you what is in my box, there are people I really must thank – authors past and present, publishers, sellers of books both new and used, fellow readers – who have all done their bit to make the contents of my box so very lovely.

And now all I have left to say is – Here are the books!

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Diving Belles by Lucy Wood

Often the books you love are the most difficult to write about. How do you capture just what makes them so very, very magical? Diving Belles is one of those books.It hold twelve short stories. Contemporary stories that are somehow timeless. Because they are suffused with the spirit of Cornwall, the thing that I can’t capture in words that makes the place where I was born so very, very magical.

The Dovekeepers by Alice Hoffman

In 70 C.E., nine hundred Jews held out for months against armies of Romans on Masada, a mountain in the Judean desert. History records that only two women and five children survived the siege … An extraordinary story. And the foundation upon which Alice Hoffman has built an epic novel. An extraordinary novel.

The Last Summer by Judith Kinghorn

“I was almost seventeen when the spell of my childhood was broken. There was no sudden jolt, no immediate awakening and no alteration, as far as I’m aware, in the earth’s axis that day. But the vibration of change was upon us, and I sensed a shift; a realignment of my trajectory. It was the beginning of summer and, unbeknown to any of us then, the end of a belle époque.”

Monogram by Gladys Bronwyn Stern

“Mental collections can be as dearly prized as those we keep behind glass, like snuff-boxes, fans or china cats; or the collection of a man who assembled everything that happened to be the size of a fist. I have a mental collection of moments on the stage, moments of horror, irony, beauty or tension …”

Tom-All-Alone’s by Lynn Shepherd

I read such wonderful prose:  compelling storytelling mixed with vivid descriptions. The sights, the sounds, the smells assaulted my senses.  And I learned terrible things that I might rather have not known, but that I never for one moment doubted were true. Nothing is more frightening than the evil that men do. I heard wonderful echoes of more than one great Victorian novelist; and I saw knowledge, understanding, and great love for their works.

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The City of Beautiful Nonsense by E Temple Thurston

“You’ve got to see Venice. You’ve got to see a city of slender towers and white domes, sleeping in the water like a mass of water lilies. You’ve got to see dart water-ways, mysterious threads of shadow holding all those flowers of stome together. You’ve got to hear the silence in which the whispers of lovers of a thousand years ago, and in the cries of men, betrayed, all breathe and echo in every bush. these are the only noises in Venice – these and the plash of the gondolier’s oar or his call ‘Ohé!’ as he rounds a sudden corner. “

Alys Always by Harriet Lane

This is a story that brings a clever mixture of influences together beautifully. It could be Patricia Highsmith writing with Barbara Pym. Or Anita Brookner writing with Barbara Vine perhaps. But no, it’s Harriet Lane, and she has created something that is entirely her own. She writes with both elegance and clarity, she balances suspense with acute observation, and she understands her characters, their relationships, the worlds they move in absolutely perfectly.

Harriet by Elizabeth Jenkins

I read ‘The View from Downshire Hill,’ Elizabeth Jenkins’ sadly out-of-print autobiography a few year ago and so I was familiar with the story of ‘Harriet’ before I was able to read the book. I knew exactly what would happen, but still I was captivated. Because Elizabeth Jenkins wrote so beautifully, and with such understanding of the characters she recreated, and of their psychology.

The Colour of Milk by Nell Leyshon

The prose is sparse, the story is short, and yet it holds so much. Every character is simply but perfectly drawn, and each and every one is important. Just a few words of description, a few words of dialogue painted wonderful pictures of lives and relationships. And of a place and time.

The One I Knew the Best of All by Frances Hodgson-Burnett

“The Small Person used to look at them sometimes with hopeless, hungry eyes. It seemed so horribly wicked that there should be shelves of books – shelves full of them – which offered nothing to a starving creature. She was a starving creature in those days, with a positively wolfish appetite for books, though no one knew about it or understood the anguish of its gnawings. It must be plainly stated that her longings were not for “improving” books. The cultivation she gained in those days was gained quite unconsciously, through the workings of a sort of rabies with which she had been infected from birth. At three years old she had begun a life-long chase after the Story.”

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The Painted Bridge by Wendy Wallace

A carriage pulled up outside. Mrs Anna Palmer, the young wife of an elderly clergyman arrived. She thought she had come to meet friends of her husband, but she was wrong. She had been very cleverly tricked, and she found herself incarcerated in Lake House, a private asylum for gentlewomen. First she was astonished and then she was outraged. But she was utterly trapped. By the power of a cruel husband, by the strictures of Victorian society, and by her own nature.

White Ladies by Francis Brett Young

“And then, of a sudden, the trees seem to fall back on either side, disclosing with the effect of a fanfare of trumpets breaking through a murmur of muted strings, above, an enormous expanse of blue sky, and below, a wide sward of turf, most piercingly green within the woods’ dense circlet. And in the midst of the green sward stood a house.”

Snake Ropes by Jess Richards

“I am reading reading reading, locked in the stories. I am a wicked daughter, a drunken witch, a terrible scientist, a king with a severed hand, a resentful angel, a statue of a golden prince, the roaring wind, an uninspired alchemist, a fantastic lover who has only one leg, a stage magician with glittery nails, a shivery queen with a box of Turkish sweets, a prostitute wearing poisoned lipstick, a piano player whose hands are too big, a raggedy grey rabbit, a murderer with metal teeth, a spy with an hourglass figure … I am eighteen years old and my real life is here locked inside these books.

Catherine Carter by Pamela Hansford Johnson

It is a love story, set in London’s theatre world in the latter days of Queen Victoria’s reign. And it is a tour de force, balancing the recreation of a world, a cast of utterly real characters, and a perfectly constructed plot quite beautifully.

Mistress of Mellyn by Victoria Holt

“There are two courses open to a gentlewoman when she finds herself in penurious circumstances,” my Aunt Adelaide had said. “One is to marry, and the other is to find a post in keeping with her gentility.” As the train carried me through the wooded hills and past green meadows, I was taken this second course; partly, I suppose, because I had never had an opportunity of trying the former.”

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Shelter by Frances Greenslade

Forty years ago, two sisters were growing up, in a small town, set in the wild countryside of British Columbia. Maggie and Jenny Dillon lived in an unfinished cabin home with their quiet reliable father, Patrick, and their imaginative, free-spirited mother, Irene. A happy family. Maggie tells their story. And she tells it beautifully. Her voice rang true and she made me see her world, her sister, her father, her mother. I understood how the family relationships worked, I understood what was important to them. And I saw enough to understand one or two things that Maggie didn’t.

Wives and Daughters by Elizabeth Gaskell

“All Hollingford felt as if there was a great deal to be done before Easter this year. There was Easter proper, which always required new clothing of some kind, for fear of certain consequences from little birds, who were supposed to resent the impiety of those who do not wear some new article of dress on Easter-day.’ And most ladies considered it wiser that the little birds should see the new article for themselves, and not have to take it upon trust, as they would have to do if it were merely a pocket-handkerchief, or a petticoat, or any article of under- clothing. So piety demanded a new bonnet, or a new gown; and was barely satisfied with an Easter pair of gloves. “

The Fortnight in September by R C Sherriff

They settled into their holiday routine. Mr Stevens secured a beach hut, and they would bathe, play ball on the sand, watch the world go by. They would visit familiar attractions too. And journey out into the surrounding countryside. There was time and space to think too. Mr Stevens worried about his position in the world. Dick wondered where he was going in life, what possibilities were open to him. Mary fell in love. And Mrs Stevens broke with convention to sit down with he landlady, to offer a sympathetic ear when she spoke of her concerns about the future. Lives were changing, and the world was changing.

Kind of Cruel by Sophie Hannah

Amber Hewerdine was losing sleep, and it really wasn’t surprising. Her best friend died in an arson attack, the arsonist had never been identified, and now Amber and her husband, Luke, were bringing up her friend’s two young daughters. An incident that happened at a family Christmas spent in a holiday cottage was still troubling her. Luke’s sister, her husband and their two young sons disappeared on Christmas day, not returning until the next morning when the refused to give any explanation of what had happened. And things got worse …

The Woman in White by Wilkie Collins

I’ve been terribly torn over the question of whether of not to re-read Wilkie Collins. You see, I fell completely in love with his major works when I was still at school, and I was scared that I might tarnish the memories, that his books might not be quite as good as great as I remembered. I’m thrilled to be able to say that my fears were unfounded. The Woman in White was better than I remembered. A brilliantly constructed and executed tale of mystery and suspense, written with real insight and understanding.

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Thérèse Racquin by Émile Zola

Thérèse was the daughter of a French sailor and a native woman. Her father her to took his sister, a haberdasher, to raise with her son. Camille, a bright but sickly child. It was expected that Thérèse and Camille would marry, and marry they did. Not because either one had feelings for the another, but because it didn’t occur to either of them to do anything else, or that life could offer anything more than they already knew. Zola painted a picture of dark and dull lives, and yet he held me. Somehow, I don’t know how, he planted the idea that something would happen, that it was imperative that I continued to turn the pages.

The Home-Maker by Dorothy Canfield Fisher

The very, very best novels leave me struggling for words, quite unable to capture what it is that makes them so extraordinary. The Home-Maker is one of those novels. It was published in the 1920s, it is set in small town American, and yet it feels extraordinarily relevant. It is the story of the Knapp family – Evangeline, Lester and their children, Helen, Henry and Stephen. A family that was unhappy, because both parents were trapped in the roles that society dictated a mother and a father should play.

The Other Half of Me by Morgan McCarthy

As I read The Other Half of Me, Morgan McCarthy’s first novel, I heard echoes of many other stories. Stories of lives lived in grand country houses. Stories of troubled families harbouring dark secrets. Stories of privileged, but troubled, lives … and yet, through all of that, I heard a new and distinctive story.

The Heir by Vita Sackville-West

Blackboys was home, and its faded grandeur gave him beauty, comfort, and a place in the world, a point in history. He came to realise that slowly, as he walked through galleries full of family portraits, as he looked across beautiful gardens towards rolling hills, as he sat, peacefully in his  wood-pannelled library.

The Uninvited by Liz Jensen

“Mass hysterical outbreaks rarely have identifiable inceptions, but the date I recall most vividly is Sunday 16th September, when a young child in butterfly pyjamas slaughtered her grand-mother with a nail-gun to the neck. The attack took place in a family living room in a leafy Harrogate cul-de-sac, the kind where no-one drops litter, and where you can hear bird-song…”

And now tell me, what would you put in your box for 2012?

Sixes

It was Jo’s idea – celebrate the first six months of the reading year by putting six books into each of six categories.

Not quite as easy as it looks. I’ve tweaked the categories to suit my reading style, and because I wanted to push disappointments to one site and simply celebrate some of the books many I have loved. And I’ve done it!

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Six Books that took me on extraordinary journeys

The Harbour by Francesca Brill
A Lady Cyclist’s Guide to the Kashgar by Suzanne Joinson
The Unlikely Pilgrimage of Harold Fry by Rachel Joyce
The Fever Tree by Jennifer McVeigh
The City of Beautiful Nonsense by E Temple Thurston
The House on Paradise Street by Sofka Zinovieff

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Six books that took me by the hand and led me into the past

The Little Shadows by Marina Endicott
The Dovekeepers by Alice Hoffman
The Last Summer by Judith Kinghorn
The Colour of Milk by Nell Leyshon
Tom-All-Alone’s by Lynn Shepherd
The Painted Bridge by Wendy Wallace

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Six books from the past that drew me back there

The One I Knew the Best of All by Frances Hodgson-Burnett
A Burglary by Amy Dillwyn
The Frailty of Nature by Angela Du Maurier
Harriet by Elizabeth Jenkins
The New Moon With the Old by Dodie Smith
As It Was & World Without End by Helen Thomas

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Six books from authors I know will never let me down

The L-Shaped Room by Lynne Reid Banks
The Murder at the Vicarage by Agatha Christie
Closed at Dusk by Monica Dickens
Monogram by G B Stern
Palladian by Elizabeth Taylor
In the Mountains by Elizabeth Von Arnim

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Six books I must mention that don’t fit nicely into any category

Shelter by Frances Greenslade
Still Missing by Beth Gutcheon
When Nights Were Cold by Susanna Jones
Alys, Always by Harriet Lane
The Roundabout Man by Clare Morrall
Diving Belles by Lucy Wood

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Six Books I started in the first six months of the year and was still caught up with in July

The Young Ardizzone by Edward Ardizzone
The Deamstress by Maria Dueñas
Greenery Street by Denis MacKail
Mrs Robinson’s Disgrace by Kate Summerscale
The Warden by Anthony Trollope
White Ladies by Francis Brett Young

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Do think about putting your own sixes – it’s a great way of perusing your reading, and I’d love to read more lists.

The One I Knew The Best of All by Frances Hodgson Burnett

Last weekend I finished a library book, and since then it has been sitting on the dining room table. I’ve wanted to write about it, indeed to enthuse about it, but I knew that when I had done that I would have no excuse for not taking it back to the library. And I wasn’t ready to let go.

I think you may understand my feelings if I quote a little from Warne’s Announcement list for October 1893 …

“Mrs Burnett’s story is unique in literature, being the frankly autobiographical narrative of a child up to girlhood, with its sensations and emotions as each new phase and problem of life opens to it.”

The volume I have is a later reproduction, a facsimile edition published by the same publisher, Frederick Warne & Co Ltd, in 1974. It is very lovely, and it matches my recollection of its author very nicely.

The author’s preface was a little stiff, but when I read the first words of the first chapter I was charmed, and I knew that I was in safe hands.

“I had every opportunity for knowing her well at least. We were born on the same day, we learned to toddle about together, we began our earliest observations of the world we lived in at the same period, we made the same mental remarks on people and things, and reserved to ourselves exactly the same rights of of private personal opinion.

I have not the remotest idea what she looked like. She belonged to an era when photography was not as advanced an art as it is to-day, and no picture of her was ever made. It is a well-authenticated fact that she was auburn-haired and rosy, and I can testify that she was curly, because one of my earliest recollections of her emotions is a memory of the momentarily maddening effect of a sharp, stinging jerk of the comb when the nurse was absent-minded or maladroit.”

The adult voice was there but it allowed the child, and the childish perceptions, to shine. I saw a hint of what made her into a writer, and a hint of the woman she would become.

The author’s decision to always refer to her younger self  as ‘The One I Knew The Best of All’ bothered me a little at first, but it very soon felt entirely natural. Definitely a wise decision: I came to know the child and her world with the least possible distraction from the knowledge of who she grew up to be.

The story began quietly, in the nursery, with toys, a nursemaid, an occasional visitor. And slowly, as the first picture books arrived, it became more and more vibrant.

I had worried a little that family seemed absent, that the first mention of a father was when he died, but very quickly I realised that was not the case at all. the child was so secure in her home and her family that she didn’t need to mention them and she was free to explore her world.

She fell in love with her garden as soon as she set foot there …

“Was it always Spring or Summer in that enchanted Garden which, out of a whole world, has remained throughout a lifetime the Garden of Eden? Was the sun always shining? Later and more material experience of the English climate leads me to imagine that it was not always flooded and warmed with sunshine, and filled with the scent of roses and mignonette and new-mown hay and apple-blossoms and strawberries all together, and that one laid down on the grass on one’s back one could not always see that high, high world of deep blue with fleecy islets and mountains of snow drifting softly by  or seeming to be quite still. That world to which somehow one seemed to belong even more than to the earth, and which drew one upward with such visions of running over the soft white hills and springing, from little island to little island, across the depths of blue which seemed a sea. But it was always so on the days the One I knew the best of all remembers the garden. This is in no doubt because, on the wet days and the windy ones, the cold days and the ugly ones, she was kept in the warm nursery and did not see the altered scene at all.”

She was fascinated by the world she saw, and utterly captivated by books that could take her in to whole other worlds …

“The Small Person used to look at them sometimes with hopeless, hungry eyes. It seemed so horribly wicked that there should be shelves of books – shelves full of them – which offered nothing to a starving creature. She was a starving creature in those days, with a positively wolfish appetite for books, though no one knew about it or understood the anguish of its gnawings. It must be plainly stated that her longings were not for “improving” books. The cultivation she gained in those days was gained quite unconsciously, through the workings of a sort of rabies with which she had been infected from birth. At three years old she had begun a life-long chase after the Story.”

Perceptions, emotions and stories are balanced quite beautifully. And the adult writer let me in toallowed me to see into the heart and soul of The One She Knew The Best of All.

My heart was in my mouth when the child acquired a slice of parkin without her mother’s permission, and I completely understood the guilt that stopped her eating after a single bit.

I was bewildered with her when the mother of an admired baby played a joke, offering to make a present of the baby. I should have realised, but I had been completely caught up …

The latter part of the book loses just a little magic, as suddenly the adult writer seems to realise that she must put certain things into her book. The chapter about her mother is lovely but it doesn’t quite belong, and emigration to America offers much but there are so many facts to be explained that I couldn’t stay caught up as I had been.

But it was there was still much that was lovely. And my heart sang when the child, on the verge of adulthood, became the local storyteller, and then began to wonder if she might even become a writer.

“The people whose stories were bought and printed must sometime have sent their first stories. And they could not have known whether they were really good or not until they had asked and found out. The only was of finding out was to send one – written in a clear hand on one side of ordinary foolscap – having first made quite sure that it had stamps enough on it. If a person had the courage to do that, he or she would at least hear if it was worth reading – if a stamp was enclosed.”

Of course she might! Of course she did!

But the the story of the child, and this book, ends.

I didn’t want to leave. I wanted to return to childhood, to spend time in those wonderful gardens, to reach up to those shelves for another book to consume.

But leave I must.

Decades ’09 Challenge

decades09boldsmall

The Decades ’09 Challenge is being hosted by Michelle here.

The rules are:

  1. Read a minimum of 9 books in 9 consecutive decades in ‘09.
  2. Books published in the 2000’s do not count.
  3. Titles may be cross-posted with any other challenge.
  4. You may change your list at any time.

This is going to suit me well. I love reading books from different periods and reading a book from each year of the 20th century will help me towards my long term goal of having a list of 100 book that I have read and recommend for each year of the 20th century.

It may well change, but here is my initial list, one for each decade of the 20th century.

  • The Shuttle by Frances Hodgson Burnett (1909)
  • The Voyage Out by Virginia Woolf (1915)
  • The Man in the Queue by Josephine Tey (1929)
  • Invitation to the Waltz by Rosamond Lehmann(1932)
  • Doreen by Barbara Noble(1946)
  • Excellent Women by Barbara Pym (1952)
  • We Have Always Lived in the Castle by Shirley Jackson(1966)
  • Mrs palfrey at the Claremont by Elizabeth Taylor (1971)
  • The Juniper Tree by Barbara Comyns(1985)
  • Symposium by Muriel Spark (1999)

Eight are from my TBR and one is a book that I have been looking for a good excuse to buy!