A Box of Books for 2012

I love reading bookish reviews of the year, but this year I have struggled to write one of my own.

A list – be it a top ten, a top twenty, a list by categories – felt too stark, too cut and dried. And I couldn’t find a questionnaire that worked for me.

But then, yesterday, inspiration struck.

I would assemble a virtual box of books that would speak for my year in books. They would be books that had offered something to my heart, my mind, or my soul, in what has been a difficult year.

And I would stick a virtual post-it note to each book, either my thoughts when I read it or a quotation that had picked up to remind me why that book was in my box.

I found that I had twenty-five books. I think that’s just about viable for a single box, as a few of them were little Penguin books and one of them was even littler than that. Though I wouldn’t want to have to carry it any great distance …

Before I show you what is in my box, there are people I really must thank – authors past and present, publishers, sellers of books both new and used, fellow readers – who have all done their bit to make the contents of my box so very lovely.

And now all I have left to say is – Here are the books!

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Diving Belles by Lucy Wood

Often the books you love are the most difficult to write about. How do you capture just what makes them so very, very magical? Diving Belles is one of those books.It hold twelve short stories. Contemporary stories that are somehow timeless. Because they are suffused with the spirit of Cornwall, the thing that I can’t capture in words that makes the place where I was born so very, very magical.

The Dovekeepers by Alice Hoffman

In 70 C.E., nine hundred Jews held out for months against armies of Romans on Masada, a mountain in the Judean desert. History records that only two women and five children survived the siege … An extraordinary story. And the foundation upon which Alice Hoffman has built an epic novel. An extraordinary novel.

The Last Summer by Judith Kinghorn

“I was almost seventeen when the spell of my childhood was broken. There was no sudden jolt, no immediate awakening and no alteration, as far as I’m aware, in the earth’s axis that day. But the vibration of change was upon us, and I sensed a shift; a realignment of my trajectory. It was the beginning of summer and, unbeknown to any of us then, the end of a belle époque.”

Monogram by Gladys Bronwyn Stern

“Mental collections can be as dearly prized as those we keep behind glass, like snuff-boxes, fans or china cats; or the collection of a man who assembled everything that happened to be the size of a fist. I have a mental collection of moments on the stage, moments of horror, irony, beauty or tension …”

Tom-All-Alone’s by Lynn Shepherd

I read such wonderful prose:  compelling storytelling mixed with vivid descriptions. The sights, the sounds, the smells assaulted my senses.  And I learned terrible things that I might rather have not known, but that I never for one moment doubted were true. Nothing is more frightening than the evil that men do. I heard wonderful echoes of more than one great Victorian novelist; and I saw knowledge, understanding, and great love for their works.

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The City of Beautiful Nonsense by E Temple Thurston

“You’ve got to see Venice. You’ve got to see a city of slender towers and white domes, sleeping in the water like a mass of water lilies. You’ve got to see dart water-ways, mysterious threads of shadow holding all those flowers of stome together. You’ve got to hear the silence in which the whispers of lovers of a thousand years ago, and in the cries of men, betrayed, all breathe and echo in every bush. these are the only noises in Venice – these and the plash of the gondolier’s oar or his call ‘Ohé!’ as he rounds a sudden corner. “

Alys Always by Harriet Lane

This is a story that brings a clever mixture of influences together beautifully. It could be Patricia Highsmith writing with Barbara Pym. Or Anita Brookner writing with Barbara Vine perhaps. But no, it’s Harriet Lane, and she has created something that is entirely her own. She writes with both elegance and clarity, she balances suspense with acute observation, and she understands her characters, their relationships, the worlds they move in absolutely perfectly.

Harriet by Elizabeth Jenkins

I read ‘The View from Downshire Hill,’ Elizabeth Jenkins’ sadly out-of-print autobiography a few year ago and so I was familiar with the story of ‘Harriet’ before I was able to read the book. I knew exactly what would happen, but still I was captivated. Because Elizabeth Jenkins wrote so beautifully, and with such understanding of the characters she recreated, and of their psychology.

The Colour of Milk by Nell Leyshon

The prose is sparse, the story is short, and yet it holds so much. Every character is simply but perfectly drawn, and each and every one is important. Just a few words of description, a few words of dialogue painted wonderful pictures of lives and relationships. And of a place and time.

The One I Knew the Best of All by Frances Hodgson-Burnett

“The Small Person used to look at them sometimes with hopeless, hungry eyes. It seemed so horribly wicked that there should be shelves of books – shelves full of them – which offered nothing to a starving creature. She was a starving creature in those days, with a positively wolfish appetite for books, though no one knew about it or understood the anguish of its gnawings. It must be plainly stated that her longings were not for “improving” books. The cultivation she gained in those days was gained quite unconsciously, through the workings of a sort of rabies with which she had been infected from birth. At three years old she had begun a life-long chase after the Story.”

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The Painted Bridge by Wendy Wallace

A carriage pulled up outside. Mrs Anna Palmer, the young wife of an elderly clergyman arrived. She thought she had come to meet friends of her husband, but she was wrong. She had been very cleverly tricked, and she found herself incarcerated in Lake House, a private asylum for gentlewomen. First she was astonished and then she was outraged. But she was utterly trapped. By the power of a cruel husband, by the strictures of Victorian society, and by her own nature.

White Ladies by Francis Brett Young

“And then, of a sudden, the trees seem to fall back on either side, disclosing with the effect of a fanfare of trumpets breaking through a murmur of muted strings, above, an enormous expanse of blue sky, and below, a wide sward of turf, most piercingly green within the woods’ dense circlet. And in the midst of the green sward stood a house.”

Snake Ropes by Jess Richards

“I am reading reading reading, locked in the stories. I am a wicked daughter, a drunken witch, a terrible scientist, a king with a severed hand, a resentful angel, a statue of a golden prince, the roaring wind, an uninspired alchemist, a fantastic lover who has only one leg, a stage magician with glittery nails, a shivery queen with a box of Turkish sweets, a prostitute wearing poisoned lipstick, a piano player whose hands are too big, a raggedy grey rabbit, a murderer with metal teeth, a spy with an hourglass figure … I am eighteen years old and my real life is here locked inside these books.

Catherine Carter by Pamela Hansford Johnson

It is a love story, set in London’s theatre world in the latter days of Queen Victoria’s reign. And it is a tour de force, balancing the recreation of a world, a cast of utterly real characters, and a perfectly constructed plot quite beautifully.

Mistress of Mellyn by Victoria Holt

“There are two courses open to a gentlewoman when she finds herself in penurious circumstances,” my Aunt Adelaide had said. “One is to marry, and the other is to find a post in keeping with her gentility.” As the train carried me through the wooded hills and past green meadows, I was taken this second course; partly, I suppose, because I had never had an opportunity of trying the former.”

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Shelter by Frances Greenslade

Forty years ago, two sisters were growing up, in a small town, set in the wild countryside of British Columbia. Maggie and Jenny Dillon lived in an unfinished cabin home with their quiet reliable father, Patrick, and their imaginative, free-spirited mother, Irene. A happy family. Maggie tells their story. And she tells it beautifully. Her voice rang true and she made me see her world, her sister, her father, her mother. I understood how the family relationships worked, I understood what was important to them. And I saw enough to understand one or two things that Maggie didn’t.

Wives and Daughters by Elizabeth Gaskell

“All Hollingford felt as if there was a great deal to be done before Easter this year. There was Easter proper, which always required new clothing of some kind, for fear of certain consequences from little birds, who were supposed to resent the impiety of those who do not wear some new article of dress on Easter-day.’ And most ladies considered it wiser that the little birds should see the new article for themselves, and not have to take it upon trust, as they would have to do if it were merely a pocket-handkerchief, or a petticoat, or any article of under- clothing. So piety demanded a new bonnet, or a new gown; and was barely satisfied with an Easter pair of gloves. “

The Fortnight in September by R C Sherriff

They settled into their holiday routine. Mr Stevens secured a beach hut, and they would bathe, play ball on the sand, watch the world go by. They would visit familiar attractions too. And journey out into the surrounding countryside. There was time and space to think too. Mr Stevens worried about his position in the world. Dick wondered where he was going in life, what possibilities were open to him. Mary fell in love. And Mrs Stevens broke with convention to sit down with he landlady, to offer a sympathetic ear when she spoke of her concerns about the future. Lives were changing, and the world was changing.

Kind of Cruel by Sophie Hannah

Amber Hewerdine was losing sleep, and it really wasn’t surprising. Her best friend died in an arson attack, the arsonist had never been identified, and now Amber and her husband, Luke, were bringing up her friend’s two young daughters. An incident that happened at a family Christmas spent in a holiday cottage was still troubling her. Luke’s sister, her husband and their two young sons disappeared on Christmas day, not returning until the next morning when the refused to give any explanation of what had happened. And things got worse …

The Woman in White by Wilkie Collins

I’ve been terribly torn over the question of whether of not to re-read Wilkie Collins. You see, I fell completely in love with his major works when I was still at school, and I was scared that I might tarnish the memories, that his books might not be quite as good as great as I remembered. I’m thrilled to be able to say that my fears were unfounded. The Woman in White was better than I remembered. A brilliantly constructed and executed tale of mystery and suspense, written with real insight and understanding.

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Thérèse Racquin by Émile Zola

Thérèse was the daughter of a French sailor and a native woman. Her father her to took his sister, a haberdasher, to raise with her son. Camille, a bright but sickly child. It was expected that Thérèse and Camille would marry, and marry they did. Not because either one had feelings for the another, but because it didn’t occur to either of them to do anything else, or that life could offer anything more than they already knew. Zola painted a picture of dark and dull lives, and yet he held me. Somehow, I don’t know how, he planted the idea that something would happen, that it was imperative that I continued to turn the pages.

The Home-Maker by Dorothy Canfield Fisher

The very, very best novels leave me struggling for words, quite unable to capture what it is that makes them so extraordinary. The Home-Maker is one of those novels. It was published in the 1920s, it is set in small town American, and yet it feels extraordinarily relevant. It is the story of the Knapp family – Evangeline, Lester and their children, Helen, Henry and Stephen. A family that was unhappy, because both parents were trapped in the roles that society dictated a mother and a father should play.

The Other Half of Me by Morgan McCarthy

As I read The Other Half of Me, Morgan McCarthy’s first novel, I heard echoes of many other stories. Stories of lives lived in grand country houses. Stories of troubled families harbouring dark secrets. Stories of privileged, but troubled, lives … and yet, through all of that, I heard a new and distinctive story.

The Heir by Vita Sackville-West

Blackboys was home, and its faded grandeur gave him beauty, comfort, and a place in the world, a point in history. He came to realise that slowly, as he walked through galleries full of family portraits, as he looked across beautiful gardens towards rolling hills, as he sat, peacefully in his  wood-pannelled library.

The Uninvited by Liz Jensen

“Mass hysterical outbreaks rarely have identifiable inceptions, but the date I recall most vividly is Sunday 16th September, when a young child in butterfly pyjamas slaughtered her grand-mother with a nail-gun to the neck. The attack took place in a family living room in a leafy Harrogate cul-de-sac, the kind where no-one drops litter, and where you can hear bird-song…”

And now tell me, what would you put in your box for 2012?

Sixes

It was Jo’s idea – celebrate the first six months of the reading year by putting six books into each of six categories.

Not quite as easy as it looks. I’ve tweaked the categories to suit my reading style, and because I wanted to push disappointments to one site and simply celebrate some of the books many I have loved. And I’ve done it!

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Six Books that took me on extraordinary journeys

The Harbour by Francesca Brill
A Lady Cyclist’s Guide to the Kashgar by Suzanne Joinson
The Unlikely Pilgrimage of Harold Fry by Rachel Joyce
The Fever Tree by Jennifer McVeigh
The City of Beautiful Nonsense by E Temple Thurston
The House on Paradise Street by Sofka Zinovieff

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Six books that took me by the hand and led me into the past

The Little Shadows by Marina Endicott
The Dovekeepers by Alice Hoffman
The Last Summer by Judith Kinghorn
The Colour of Milk by Nell Leyshon
Tom-All-Alone’s by Lynn Shepherd
The Painted Bridge by Wendy Wallace

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Six books from the past that drew me back there

The One I Knew the Best of All by Frances Hodgson-Burnett
A Burglary by Amy Dillwyn
The Frailty of Nature by Angela Du Maurier
Harriet by Elizabeth Jenkins
The New Moon With the Old by Dodie Smith
As It Was & World Without End by Helen Thomas

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Six books from authors I know will never let me down

The L-Shaped Room by Lynne Reid Banks
The Murder at the Vicarage by Agatha Christie
Closed at Dusk by Monica Dickens
Monogram by G B Stern
Palladian by Elizabeth Taylor
In the Mountains by Elizabeth Von Arnim

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Six books I must mention that don’t fit nicely into any category

Shelter by Frances Greenslade
Still Missing by Beth Gutcheon
When Nights Were Cold by Susanna Jones
Alys, Always by Harriet Lane
The Roundabout Man by Clare Morrall
Diving Belles by Lucy Wood

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Six Books I started in the first six months of the year and was still caught up with in July

The Young Ardizzone by Edward Ardizzone
The Deamstress by Maria Dueñas
Greenery Street by Denis MacKail
Mrs Robinson’s Disgrace by Kate Summerscale
The Warden by Anthony Trollope
White Ladies by Francis Brett Young

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Do think about putting your own sixes – it’s a great way of perusing your reading, and I’d love to read more lists.

10% Report: Reading The 20th Century

I’m ten years into my century, and so I think it’s time to take stock.

The first ten years were always going to be the easiest, with the risk of picking up a book and finding it dated from a year already covered at it’s lowest.

But that isn’t to say there haven’t been clashes: I ordered Scenes of Childhood by Sylvia Townsend Warner and Still Missing by Beth Gutcheon from the library only to find that they were both published in 1981.

And there have been a few other occasions when I’ve found a book, gone to add it to my spreadsheet, and found that there was another book already in the space I had intended it to fill.

My first ten books are tilted towards the end of the century. I knew I’d have most difficulty with the later years, and so whenever I’ve seen an oldish book on the library shelves or around the house I’ve picked it up.

The eighties and nineties are shaping up well, but the decade I’m really struggling with is the seventies. Suggestions would be most welcome!

But I’m rambling, so here are the books:

1910 – The City of Beautiful Nonsense by E Temple Thurston

“The City of Beautiful Nonsense is a wonderful love story. It is terribly sentimental, and rather old fashioned but, if you can accept those things with an open heart, it can take you on a wonderful emotional journey.”

 1929 – The Man in the Queue by Josephine Tey

“An audacious murder, in the middle of a queue of people, all pressing forward, eager to see the final performance of popular musical. The investigation fell to Inspector Alan Grant of Scotland Yard. A detective without the gimmicks, or idiosyncracies of many of his contemporaries, but with a great deal of intelligence and charm, I soon suspected that his creator was a little in love with him … quite understandably …”

1936 – Monogram by Gladys Bronwyn Stern

“I found that what I had was not a coventional autobiography. That, given a free hand by her publishers, the author had decided to do something a little different. She explains, with both erudition and charm, that, while a conventional biography that plots a straight line through a line can be a wonderful thing, it is sometimes more interesting to do something else. To set down three stakes, to run a rope around then to make a triangle, and then to see what is to be found inside that triangle. And that’s just what she does.”

1960 – The L-Shaped Room by Lynne Reid Banks

“I was engrossed by Jane’s story. She was real, and I understood her, I cared about what might happen to her, and so it was wonderful to watch her coping with everything that life through at her, with new and old relationships, with her advancing pregnancy.”

 1969 – The Play Room by Olivia Manning

“It looked very promising: a coming of age story set in an English seaside town in the swinging sixties. Laura was fifteen, and she dreamed of leaving home for the bright lights of London. She wanted to leave her dull, lower middle class family behind. Her strict mother, her unassuming father, her irksome younger brother.”

1981 – Still Missing by Beth Gutcheon

“‘Still Missing’ was a difficult book to read. It had to be. It was right that I felt terribly unsettled, and it was right that I was forced to consider my own feelings about what was happening. I could do that because the characters, their stories, their relationships, were all perfectly drawn. There were moments when things happened that didn’t feel right. But they were right; answers can’t always be neat and tidy, and politically correct.”

 1983 – The Woman in Black by Susan Hill

“I have read The Woman in Black before, but it was so long ago that I have forgotten the details, save that it was very good and extremely unsettling. And so a re-read, before seeing the film, seemed to be in order. It  is a ghost story built on classic lines: with an isolated house, a bleak landscape, wild weather, ghostly figures, inexplicable events.”

1984 – Mother Love by Domini Taylor

“But maybe Helena wasn’t as fragile as she seemed. Maybe she was disturbed. Maybe she would do anything to serve her own interests … A single, horrible revelation demonstrated that Helena was very dangerous and very clever. I saw that, but nobody else did.”

1994 – Pippa Passes by Rumer Godden

“Pippa Fane was seventeen years old, and the youngest and newest member of the Company of the Midlands Cities Ballet. And she was travelling abroad on tour for the first time. The first engagement of the tour was in Venice. Pippa was captivated. By the city, by the people, by the food … everything! “

1999 – Buried in Cornwall by Janie Bolitho

“Janie Bolitho captured my hometown, as it was back in 1999, absolutely perfectly. And she  created an engaging heroine, who I could quite happily believe is still living just a little further around the bay. Rose is a youngish widow who is gradually picking up the strands of a new life. She has good friends, she earns a living as a photographer, and she has taken up painting – always her first love but not the easiest way to earn a living – again.”

And now I must ponder the lovely book from 1963 that I am going to write about next, and carry on with the intriguing novel from 1946 that I have nearly finished , and …

The City of Beautiful Nonsense by E Temple Thurston

“I bought the book and read it; even then I recognised how unashamedly sentimental it was – novels were sentimental at the turn of the century, and this was a love story – but, in spite of that, it’s evocation of Venice cast such a spell that it has been with me ever since…”

When I read those words, in Rumer Godden’s introduction to Pippa Passes, I knew that I had to try to find a copy of the book she wrote about: The City of Beautiful Nonsense by E Temple Thurston.

I did find it – in a later Penguin edition – and now that I have read it I can understand why it such an impression on the girl who would grow up to be a wonderful author.

The love story began in a London church, after an evening service. A number of the congregation remained, to light a candle before they left. Eventually two people were left: a young man and a young woman; but only one candle.

“Here you have a man, a woman, and a candle destined for the altar of St Joseph, all flung together in an empty church by the playful hand of circumstance and out of so strange a medley comes a fairy story …”

They share the candle, and it brings their hopes, their dreams, their lives together.

The young man is John Grey, a struggling writer, and when he leaves the church the story follows him. And it follows the details of his life, showing that he is such a compassionate and thoughtful young man. A young man who deserves a happy ending.

John and Jill, the young woman he met in the church, continue to cross paths. Sometimes by chance – or maybe fate – and sometimes by contrivance. A friendship, and then a romance, grows oh so quietly.

The story is slow and quiet, and it is sentimental, but I was charmed. By the wonderful old-fashioned storytelling, and by a narrator who was so eager to share his love for the young writer. He had a tendency to ramble, but he was engaging, and so the pages turned quickly.

And throughout the story he picks up so many lovely details, makes astute observation, and manages some lovely moments of gentle humour.

John dreamed of taking Jill to Venice.

“You’ve got to see Venice. You’ve got to see a city of slender towers and white domes, sleeping in the water like a mass of water lilies. You’ve got to see dart water-ways, mysterious threads of shadow holding all those flowers of stome together. You’ve got to hear the silence in which the whispers of lovers of a thousand years ago, and in the cries of men, betrayed, all breathe and echo in every bush. these are the only noises in Venice – these and the plash of the gondolier’s oar or his call ‘Ohé!’ as he rounds a sudden corner. You’ve got to see it all at the night, when great white lily flowers are blackened in shadow, and the darkened water-ways are lost in an inpenetrable depth of gloom. You’ve got to hear the stealthy creeping of a gondola and the lapping of the water against the slimy stones as it hurries by. In every little burning light that flickers in a barred window up above you must be able to see plotters at work, conspirators planning deeds of evil or a lover in his mistress’s arms. You’ve got to see magic, mystery, tragedy and romance, all compassed by grey stone and green water …”

She shared his dream, she loved him as much as he loved her, but she knew that the dream could not come true.

But that wasn’t the end. Because there was another couple – John’s mother and father. They loved each other dearly and they had retired to Venice to lie in genteel poverty. All they wanted was for their beloved son to be happy.

John couldn’t  to tell them that he had lost his happy ending.

Jill couldn’t let go of the dream of Venice, or of John.

And so they would meet again, they would see Venice together, and they would try to somehow give John’s parents the happy ending they so wanted.

But how? Could it be real?

When the story moved to Venice it opened out.  And the narrator was clearly captivated and told the story and described the city quite beautifully.

” A great white door divides the front of gey stone, up to which lead steps from the pathway – steps in the crevices of which a patch of green lies here and there as a perfect harmony of contrast to the well-worn slabs. This door is always closed and, with no windows on either side, only the broad stretch of masonry, there is a stern appearance about the place, suggesting a prison or a barracks in its almost forbidding aspect. But when once that wide, wooden gate is opened, the absence of windows upon the ground floor is partially explained and  the mind is caught in a breath of enchantment. It does not give entrance to the hall, but to an archway – an archway tunnelling under the house itself, at the end of which, thorough the lace-work of wonderful wrought-iron palings, you see the fairy-land of an old Italian garden, glittering in the sun.”

The real ending was a wonderful mixture of happiness and sadness. And exactly right.

The City of Beautiful Nonsense is a wonderful love story. It is terribly sentimental, and rather old fashioned but, if you can accept those things with an open heart, it can take you on a wonderful emotional journey.