Literary London with Patricia Duncker

This year, London Book & Screen Week will be taking place from 13th – 19th April, uniting readers, writers, gamers and film fans, with hundreds of events taking place across the capital that celebrate stories and the written word in all its forms. 

You’ll find lots of events are listed at:  http://www.londonbookandscreenweek.co.uk/

It’s at time like this that I wish that Cornwall wasn’t quite so far from London; but I’m lucky that books, films and art can transport me back there, without having to worry about practicalities, and without having to stay at his particular point in history ….

I mention this because last week I was invited to take part in a blog tour.

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To celebrate this year’s London Book and Screen Week, five top authors will be revealing their favourite books about London on seven top blogs over seven days, as part of the first ever ‘London Book & Screen Week Blog Tour’ .

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And so I am pleased to present Patricia Duncker, the author of six wonderfully diverse novels, two volumes of short stories, and many literary essays and scholarly articles.

I’m reading her most recent novel Sophie and the Sibyl, published by Bloomsbury this week. It’s inspired by a chapter in the life of George Eliot, it’s intriguing, and it makes me very interested to know what she has to say.

To celebrate London Book & Screen Week, Patricia will be interviewed by John Mullan as part of a Bloomsbury Book Club event on Wednesday 15th April. Tickets are available here.

And today we have her thoughts about books and London:

My top 3 books about/set in London

 1. Charles Dickens Bleak House (1853)

The very first word of this grandiose polemic on the condition of England is London. The scene opens in the court of Chancery and the action concentrates on the machinations of the lawyers in Lincoln’s Inn. Mr. Tulkinghorn is the evil, prying spider, uncovering family secrets.  My sister-in-law is a barrister. She tells me all the lawyers love this book.

2. Bram Stoker Dracula  (1897)

The fabulous Count starts buying up real estate in Purfleet even before he comes to London. Van Helsing arrives at Liverpool Street and dramatic vampire action takes place on Hampstead Heath. London is the prize and the night streets are unsafe when the Count leaves his coffin.

 3. Michèle Roberts Paper Houses (2007)

This memoir of the 1970s and beyond is a portrait of the artist as a witty, radical young woman. Roberts has written many of her novels in and about London. Here she tells her story of art and life through the locations where she lived and wrote. No one else captures in such sensual prose the smells, sounds and textures of the London streets where she walks.

 

My top place to read in London

The café nearest to the Primrose Hill bookshop in Regent’s Park Road. I buy a heap of books at the shop and then retire to the café to gloat over my purchases!

 My favourite on screen/video game book adaptation

My fave book to screen adaptation is Francis Ford Coppola’s 1990s version of Bram Stoker’s Dracula with Gary Oldman as the Count. It has the immortal line ‘ I have crossed oceans of time to be with you’,  and catches the theatrical qualities of the Gothic.

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And now I’m thinking about that …..  Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill ….. conjured up by Dickens at the start of Bleak House again.

So please distract me – tell me which book, which film, which anything at all, transports you to London!

What do I have on the shelves for Reading Ireland Month?

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My first thought when I read about Reading Ireland Month was that it would would beautifully with the TBR Dare, because I know that there are Irish books to be read on the Virago bookcase and at various other places around the house.

There are more than I’ll read in March, but I do like to make a list and to have choices.

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The first name that came to mind was Molly Keane. I love her writing but there’s something about her books – a sharpness, a distinctiveness, I don’t know quite what to call it – that makes me inclined to space them out. I haven’t read one for a while though and I think it’s time. Maybe ‘Mad Puppetstown’:

In the early 1900s Easter lives with her Aunt Brenda, her cousins Evelyn and Basil, and their Great-Aunt Dicksie in an imposing country house, Puppetstown, which casts a spell over their childhood. Here they spend carefree days taunting the peacocks in Aunt Dicksie’s garden, shooting snipe and woodcock, hunting, and playing with Patsy, the boot boy. But the house and its inhabitants are not immune to the “little, bitter, forgotten war in Ireland” and when it finally touches their lives all flee to England. All except Aunt Dicksie who refuses to surrender Puppetstown’s magic. She stays on with Patsy, living in a corner of the deserted house while in England the cousins are groomed for Society. But for two of them those wild, lost Puppetstown years cannot be forgotten ….

* * * * * * *

 Mary Lavin is best known for her short stories, but she also wrote novels and I have two in my Virago Collection. I most like the look of ‘The House on Clewe Street’

Theodore Coniffe, austere property owner in Castlerampart, looks forward to the birth of an heir when his third and youngest daughter, Lily marries. A son is born, but the father, Cornelius Galloway, is a spendthrift who dies young, leaving the child to the care of Lily and her sisters, Theresa and Sara. Their love for Gabriel is limited by religious propriety and his youth is both protected and restrained. At the age of twenty-one Gabriel runs away to Dublin with Onny, the kitchen maid. Here they tumble into bohemian life. But Gabriel is ill-suited to this makeshift freedom and finds the values of Clewe Street impossible to evade.

* * * * * * *

I absolutely love Kate O’Brien‘s writing and I have read all of her books that were published by Virago, but I have one other sitting on a shelf on the next bookcase along. ‘Of Music and Silence’ looks lovely, I’ve been saving it, but I think its moment might have come.

It is the story of two penniless Irish girls who are sent to the Continent to become opera singers. Lovely, vulnerable, unaware, they are first flung into a regime of rigorous training and then released into the fantastic, exacting world of Italian opera in the 1880’s, with its dedicated striving, love, jealousy and passionate friendships.To Clare and Rose, student life and their fellow-students at the pension are as great a revelation after the green quiet of Ireland as the sun-drenched atmosphere of Rome, the picnics on the Campagna, moonlit suppers in trattorie above the sea.Thepension is followed by some of the world’s great opera stages as the girls sing their way upwards towards prima donna roles and fame. And alongside their development as singers the author traces compassionately their development as women, loving and desired, in this forcing house of emotions, where all are obsessed by song, and love is heightened by the spendour of music.

* * * * * * *

I found Tana French on the same bookcase, on the next shelf down. I’ve read her first three novels, and I’ve been meaning to read her fourth – ‘Broken Harbour’ – for quite some time.

In the aftermath of a brutal attack that left a woman in intensive care and her husband and young children dead, brash cop Scorcher Kennedy and his rookie partner, Richie, struggle with perplexing clues and Scorcher’s haunting memories of a shattering incident from his childhood …

* * * * * * *.

The Collegians by Gerard Griffin is on the same shelf, and it’s on my Classics Club list.

A romantic melodrama set in rural Ireland in the early 19th century, this complex story of love, rivalry, secrecy, and betrayal, based on a real case of 1829, was one of the most successful thrillers of its day

* * * * * * *

I’m a little wary of ‘There Were No Windows’ by Norah Hoult, which I know is waiting on the Persephone bookshelf, because it deals with ageing and dementia and the stage of life where my mother is now. But there’s a voice in my head saying that maybe that’s why I should read in now.

Set in London during the blackouts of the Blitz, this 1944 novel describes the last months of Claire Temple, a once-glamorous woman who is now losing her memory. Divided into three ‘acts’, beginning with Claire’s own experience of her dementia, the rest of the book is told through the characters who work for or visit her. As Claire struggles with her memory, the reader must reconstruct not only her life but her identity.

* * * * * * *

‘The Wild Geese’ by Bridget Boland is another book I could pluck from the Virago shelves. It’s an epistolary novel – which is always a good thing – and it touches on an aspect of Irish history that I don’t know much about.

In eighteenth-century Ireland, Catholics are forced to practice their religion in secret, they cannot buy or improve their land, nor enter any profession or trade. In this climate a lively underground traffic develops between Ireland and Europe–young boys are smuggled to Catholic schools abroad and many eventually join the armies of foreign princes. If they return to their native land, these “Wild Geese” are in danger of their lives. Through the story of the Kinross family and their letters to one another, we learn of these desperate times: of Brendan’s struggle to maintain the Kinross estate; of the dangers Maurice faces as an outlaw in his own country, and of their sister Catherine and her love for Roderick O’Byrne, a soldier recruiting for Irish regiments in France.

* * * * * * *

Maura Laverty is another author I discovered through Virago. I’ve read the two of her novels that Virago published, but I have another novel that hasn’t been reprinted that I found in a second-hand bookshop a year or two ago. ‘Alone We Embark’ is another book I’ve been saving. It’s a plain little hardback, I haven’t been able to find out much about it, but I loved the two books I’ve read more than enough to take this one on trust.

* * * * * * *

I’ve been reading to read Somerville & Ross for ages, and I have just one of their books in the house, somewhere upstairs – ‘In The Vine Country.’

The Irish pair tour Medoc country at the time of the vine harvest. During their stay they dance with the harvesters, drink freshly trodden wine, stay in a barn with dubious bedlinen and visit a grand chateau.

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Also upstairs is a proof copy of ‘Black Lake’ by Johanna Lane. I started reading last year, but when the story went in a quite different direction to the one I expected I put it down again. I meant to pick it up again, and I really don’t know why I haven’t.

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The last book I bought in December, before the TBR Dare began, was a newly reissued Victorian novel – ‘The Quest for Fame’ by Charlotte Riddell  – it’s waiting on my bedside table.

After the death of her mother and the loss of her family’s fortune, it falls to young Glen Westley to do what she can for herself and her ailing father. Determined to make her own way in the world, she moves from the West of Ireland to London and works tirelessly to succeed as a novelist, despite the limitations her sex and nationality represent. Having struggled so long for fame, it is at last thrust upon her – but fame always comes at a price.
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There’s just one more book that I can think of, and it’s in the virtual TBR. I read Niall Williams’ early novels and I liked them, but I haven’t read anything of his for years. When I save ‘The History of Rain’ on the Man Booker long-list I thought it was time to try his work again.

Bedbound in her attic room beneath the falling rain, in the margin between this world and the next, Plain Ruth Swain is in search of her father. To find him, enfolded in the mystery of ancestors, Ruthie must first trace the jutting jaw lines, narrow faces and gleamy skin of the Swains from the restless Reverend Swain, her great-grandfather, to grandfather Abraham, to her father, Virgil – via pole-vaulting, leaping salmon, poetry and the three thousand, nine hundred and fifty eight books piled high beneath the two skylights in her room, beneath the rain.

* * * * * * *

That’s pretty much all I can find, and that’s probably the right number of books form me to have a choice and not waste good reading time dithering.

Are there any you would recommend – or any that you’re particularly curious about?

And who are your favourite Irish authors? What are your favourite Irish books?

Reading England

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o at Behold the Stars always has such lovely ideas and this was one I just couldn’t resist

The Goal:

To travel England by reading, and read at least one book per however many counties of England you decide to read.

The Rules:

  • This challenge begins on the 1st January 2015 and ends on 31st December 2015, but of course if you really get into it then keep it going 🙂
  • You can sign up any time between now and the end of 2015. Only books read after 1st January 2015 count, though.
  • Choose a level (below), but do not feel obliged to pick your books or even your counties beforehand.
  • Because this is a classics blog, I’d encourage people to read classic novels, but how you define classics is up to you.
  • You are not limited to English authors. Henry James, for example, is American but his novel The Turn of the Screw is set in Essex, and so he counts for the challenge.
  • It would be grand if you blogged about the books you read for each county but you don’t have to. If you do, you don’t have to feel obliged to give any information about the county in general other than, maybe, “This is my review of x which is set in the county of x“. You could also include a description of the landscape in your posts, but again you don’t have to.
  • You do not have to read the books in their original language, translations are accepted (I only read in English so I would never dream of making other people read in their second language!)
  • Audio books, Kindles, and whatnot are accepted too.
  • Poetry, plays, biographies, and autobiographies count as well as novels.
 The Levels:
  • Level one: 1 – 3 counties
  • Level two: 4 – 6 counties
  • Level three: 7 – 12 counties
  • Level four: 12 + counties

I thought that making a list would be easy, but it was actually quite tricky. I knew that I’d added a few more books in translation to my Classics Club list, but I discovered that I had more books than I realised set in the wider world, books from Scotland Wales and Ireland, books set in fictional places, books where I couldn’t quite determine the setting with reading too much …..

But I did find enough books to create an itinerary:

Buckinghamshire
Dusty Answer by Rosamund Lehman

Cumbria
The Tenant of Wildfell Hall by Anne Bronte

Devon
Rachel Ray by Anthony Trollope

Dorset
Return I Dare Not! by Margaret Kennedy

Lancashire
Crusoe’s Daughter by Jane Gardem

Leicestershire
Ivanhoe by Sir Walter Scott

Oxfordshire
Crampton Hodnet by Barbara Pym

Norfolk
Armadale by Wilkie Collins

Shropshire
Gone to Earth by Mary Webb

Somerset
Lise Lillywhite by Margaret Kennedy

Staffordshire
Mr and Mrs Pennington by Francis Brett-Young

Suffolk
The Bookshop by Penelope Fitzgerald

Worcestershire
The Well of Loneliness by Radclyffe Hall

Yorkshire
The Beth Book by Sarah Grand

My real route may be a little different, but I like to have a list of possibilities.

There’s just one more thing I must mention.

If you’re looking for a book for my county – Cornwall – do take a look at Wilkie Collins’ wonderful travelogue ‘Rambles Beyond Railways.’ It’s as readable as anything he wrote, and I could happily read it over and over again …..

A New Design for a Reading Life

I have read many wonderful books this year, but something has gone wrong.

tumblr_lwvmyjdxHY1qz71rio1_400I’m aware that I’ve read less then I used to, and less than I might, and that I’ve been spending far too much time working on plans and lists, and hunting down books.

I will always love a project, I will always follow the links from book to book, but I need to do things differently so that my plans and projects are working for me, making sure I continue to read the authors I love, guiding me towards new possibilities, and making sure that my reading time really is reading time.

I’ve been through a lot of ideas over the last few weeks and now I think I have a plan.

* * * * * * *

I’ve ditched my 100 Years of Books project.

Reading the 20th Century was lovely – and I don’t rule out doing it again one day – but the 1850  to 1949 century wasn’t working.  Huge numbers of books congregated in some years and other years offered nothing at all. And suddenly every book that called me was either too late or too early.

So out it goes.

* * * * * * *

My Non Fiction Adventure stays, a list of books that I want to read and I’m allowed to alter.

I’ve read almost entirely fiction – and knitting books – this year , and the non fiction is piling up.

* * * * * * *

I’ve rebuilt my Classics Club list, around the books I’ve read since the club began. The books that were there just because I ought to read them and the books that I’ve lost interest in have gone; and the books I forgot and the books that I’ve discovered since I made my first list have arrived.

It’s still one book for author so that The Classics Club can introduce – and re-introduce – me to as many authors as possible.

I’ll follow up the ones I love; I’ve been doing that since the start.

I think – I hope – that these are the right classics for me:

  1. The Female Quixote by Charlotte Lennox (1752)
  2. Emmeline by Charlotte Turner Smith (1788)
  3. A Sicilian Romance by Ann Radcliffe (1790)
  4. A Simple Story by Elizabeth Inchbold (1791)
  5. The Coquette by Hannah W Foster (1797)
  6. The Antiquary by Sir Walter Scott (1816)
  7. The Collegians by Gerard Griffin (1829)
  8. Helen by Maria Edgworth (1834)
  9. Old Goriot by Honore Balzac (1835)
  10. The Count of Monte Cristo by Alexandre Dumas (1844)
  11. The Tenant of Wildfell Hall by Anne Bronte (1848)
  12. Vanity Fair by William Makepeace Thackery (1848)
  13. The Morgesons by Elizabeth Stoddard (1852)
  14. Les Miserables by Victor Hugo (1852)
  15. Bleak House by Charles Dickens (1853)
  16. Villette by Charlotte Bronte (1853)
  17. The Daisy Chain by Charlotte M Yonge (1856)
  18. Madame Bovary by Gustave Flaubert (1857)
  19. Scenes of Clerical Life by George Eliot (1857)
  20. The Woman in White by Wilkie Collins (1859)
  21.  Cloister and the Hearth by Charles Reade (1861)
  22. Henry Dunbar by Mary Elizabeth Braddon (1864)
  23. Uncle Silas by Sheridan Le Fanu (1864)
  24. Wives and Daughters by Elizabeth Gaskell (1865)
  25. The Fortunes of the Rougons by Emile Zola (1871)
  26. Hester by Margaret Oliphant (1873)
  27. The Way We Live Now by Anthony Trollope (1875)
  28. Anna Karenina by Leo Tolstoy (1877)
  29. The Leavenworth Case by Anna Katherine Green (1878)
  30. Moths by Ouida (1880)
  31. Belinda by Rhoda Broughton (1883)
  32. Bel-ami by Guy Maupassant (1885)
  33. La Regenta by Leopoldo Atlas (1885)
  34. Thyrza by George Gissing (1887)
  35. Eline Vere by Louis Couperus (1889)
  36. The Real Charlotte by Somerville & Ross(1889)
  37. Esther Waters by George Moore (1894)
  38. Effi Briest by Theodor Fontane (1896)
  39. The Beth Book by Sarah Grand (1897)
  40. Elizabeth and her German Garden by Elizabeth Von Arnim (1898)
  41. Red Pottage by Mary Cholmondeley (1899)
  42. The House of Mirth by Edith Wharton (1905)
  43. Fidelity by Susan Glaspell (1915)
  44. Cullum by E Arnot Robinson (1920)
  45. Kristin Lavransdattir by Sigrid Undset (1922)
  46. Anderby Wold by Winifred Holtby (1923)
  47. The Home-maker by Dorothy Canfield Fisher (1924)
  48. The Constant Nymph by Margaret Kennedy (1924)
  49. The Painted Veil by W Somerset Maugham (1925)
  50. The Well of Loneliness by Radclyffe Hall (1928)
  51. Twenty Thousand Streets Under the Sea by Patrick Hamilton (1935)
  52. The Weather in the Streets by Rosamond Lehmann (1936)
  53. Mariana by Monica Dickens (1940)
  54. Black Narcissus by Rumer Godden (1947)
  55. One Fine Day by Mollie Panter-Downes (1947)
  56. The Far Cry by Emma Smith (1949)
  57. The World My Wilderness by Rose Macaulay (1950)
  58. A Game of Hide and Seek by Elizabeth Tayor (1951)
  59. Fenny by Lettice Cooper (1953)
  60. The Fountain Overflows by Rebecca West (1957)

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I ‘m working out the details of  a brand new project too.

There is no list – this time the project builds the list.

It’s called The Remember This Book List and I want it to be a home for the lesser-known older books that I love and that I don’t want to be forgotten.

I think I know how it will work, but I want to make sure before I explain.

* * * * * * *

Suggestions would be very welcome. And please do tell me about your own plans, and how you organise your reading life.

10% Report: 100 Years of Books

100 Years of Books

It’s taken me a very long time to get to this second report for my 100 Years of Books project.

That’s partly because I’ve read a couple of big books that were published before 1850 – The Count of Monte Cristo and Vanity Fair – and partly because I ‘ve been going back to authors – Margaret Kennedy, Anthony Trollope, Angela Thirkell – and I want 100 authors for my 100 years so each author only gets one appearance.

And it’s also because I began to have doubts about whether this was the right project. Because I feel differently about the two centuries I’ve brought together. The twentieth century is home and the nineteenth century is somewhere I love to visit, so I thought that maybe I should have two projects, one short term and one long term.

That thinking distracted me for a while, but in the end I decided I would stick to the original plan; to read the books I picked up naturally and to read the books that I didn’t pick up quite as naturally but really appreciated when I did.

I may struggle to fill some of the earlier years but …. I think I have to try.

So, my first report is here, and this is the second:

1866 – Griffith Gaunt by Charles Reade

“Charles Reade was once a very popular author; and, though his historical novel ‘The Cloister and the Hearth’ was his most acclaimed work, ‘Griffith Gaunt’ was his personal favourite. You might call it a sensation novel, and it is a sensation novel, but its much more than that. This is a book that grows from a melodrama, into a psychological novel, into a courtroom drama ….”

1878 – Anna Karenina by Leo Tolstoy

“Listening highlighted the quality of the storytelling, the characters, the prose, and the wonderful, wonderful rhythm of the words. That was something I would never have picked up if I’d read from a book. It didn’t take long at all for me to be smitten ….”

1911 – Mr Perrin and Mr Traill by Hugh Walpole

“Mr Traill is a new master, in his first teaching post. He knows that it is first step on the ladder. He is young, handsome, athletic, charming, and the boys love him. But he is oblivious to the tension in the air, and he is incredulous when one of his colleagues warns him to get out as soon as he can ….”

1923 – None-Go-By by Mrs Alfred Sidgwick

“I found myself listening  to Mary Clarendon, as she spoke about what happened  when she and her husband moved from London to a Cornish cottage they named ‘None-Go-By’, and it’s lovely because her voice is so real, open and honest; and because she catches people and their relationships so beautifully.”

1925 – The Mother’s Recompense by Edith Wharton

“It was not easy to feel sympathy for a woman who had abandoned her daughter, but I did. Because Kate Clephane was a real, complex, human being, and she was as interesting as any woman I have met in the pages of an Edith Wharton novel. “

1932 – Three Fevers by Leo Walmsley

“I learned recently that Leo Walmsley’s father, Ulric, studied art in Newlyn under Stanhope Forbes. and that pointed me to the best way that I could explain why this book is so readable: Leo Walmsley captured his fishing community in words every bit as well as Stanhope Forbes and his contemporaries captured the fishing community in Newlyn.”

1934 – Wild Strawberries by Angela Thirkell

“‘Wild Strawberries’ is the story of one aristocratic English family and one glorious summer in between the wars. And it is set in Angela Thirkell’s Barchestershire, a place where every single person, however high or low their situation, is happy and accepting of their situation and the role they are to play. You need to be able to accept that – and I can understand that some might not be able to – but I can, and if you can too, you will find much to enjoy in this light, bright and sparkling social comedy ….”

1939 – Nine Pounds of Luggage by Maud Parrish

“When I read the extract from her book I fell in love with her voice; it was the voice of a woman talking openly and honestly to a friend, a woman with lots and lots of great stories to tell. I so wanted to read everything that she had written, but there was not a copy of her book to be had. Until I found that I could borrow a copy from Open Library ….”

 1940 – The English Air by D E Stevenson

“The story played out beautifully, moving between Franz and his English family. It grew naturally from the characters I had come to like and to care about; it caught the times, the early days of the war, perfectly; and though it wasn’t entirely predictable it was entirely right. Even better – maybe because ‘The English Air’ was written and published while was still raging – the ending was uncontrived and natural. And that’s not always the case with D E Stevenson’s novel ….”

 1941 – The Castle on the Hill by Elizabeth Goudge

“This is a story of the darkest days of World War II, when only England stood against the Nazi forces advancing across Europe, and when the fear of invasion was very, very real. Elizabeth Goudge lived on the south coast of England then, close to the eye of the storm, it was during the war that she wrote this book, and it was clear as I read that she knew and she that understood ….”

And that’s it! It shouldn’t be such a wait for the next report ….

Top Ten Tuesday: Best Books of the Year

I never seen to manage to catch themes and pull together lists for ‘Top Ten Tuesday’s at The Broke and the Bookish) at the right time, but this week I’ve finally done it!

Top Ten Books I’ve Read So Far This Year

I had to eliminate re-reads to have a hope of getting down to just ten books, and even after that I had to make some hard decisions, but I think I’ve done it

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The Visitors by Rebecca Mascull

A lovely and unusual coming of age story, set in Victorian England.

Jonathan Strange and Mr Norrell by Susanna Clarke

I was captivated by the wonderfully wrought story, of an England that had been rebuilt with have the history and presence of magic quite beautifully woven in.

The Diary of a Provincial Lady by E M Delafield

I was nervous about meeting the Provincial Lady, but when I did I found her such wonderful company that I quite forgot my shyness.

The English Air by D E Stevenson

This story of English and German cousins, set as World War II begins, shows D E Stevenson’s strengths and has almost none of her weaknesses.

The Count of Monte Cristo by Alexandre Dumas

Storytelling so rich, so profound, that it held me from start to finish of a ridiculously long book.

The Castle on the Hill by Elizabeth Goudge

A slow and thoughtful story of lives reshaped by war, and of the importance of having a place in the world, told with love and understanding.

Griffith Gaunt by Charles Reade

A Victorian novel that really should be better known: it grows from a melodrama, into a psychological novel, into a courtroom drama ….

An Appetite for Violets by Martine Bailey

A lovely mix of history, mystery, food and travel

Nine Coaches Waiting by Mary Stewart

I love Mary Stewart and I love governess stories, so this was heaven.

The True and Splendid History of the Harristown Sisters by Michelle Lovric

My book of the year to date. It took my breath away ….

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Which books would you pick out as your favourites this year?

Spinnng With the Classics Club

The Classics Club Spin is beginning again.

      • Pick twenty unread books from your list.
      • Number them from one to twenty.
      • On Monday a number will be drawn.
      • That’s your book, to read in February and March.

Should I do it?

whirlingdervishesegypt

I wasn’t sure – I’ve had mixed luck and mixed success with past spins – but I think it’s time to try again.

There’s not a book on my Classics Club list I don’t want to read, though I have veered away from just a few that I know aren’t the right books for right now.

So here are my twenty books for the spin:

Five books from five countries:

1. The Coquette by Hannah W Foster (1797)
2. Mansfield Park by Jane Austen (1814)
3. The Collegians by Gerard Griffin (1829)
4. Madame Bovary by Gustave Flaubert (1857)
5. Anna Karenina by Leo Tolstoy (1877)

*****

Five books from the Virago Modern Classics List:

6. The Beth Book by Sarah Grand (1897)
7. Red Pottage by Mary Cholmondeley (1899)
8. A Game of Hide and Seek by Elizabeth Tayor (1951)
9. Fenny by Lettice Cooper (1953)
10. The Fountain Overflows by Rebecca West (1957)

*****

Five from my ‘Filling in the Gaps’ list:

11. Bleak House by Charles Dickens (1851)
12. The Odd Women by George Gissing (1893)
13. The Shutter of Snow by Emily Holmes Colman (1930)
14. One Fine Day by Mollie Panter-Downes (1947)
15 . The Far Cry by Emma Smith (1949)

*****

Five that I haven’t managed to fit into a category:

16. Old Goriot by Honore Balzac (1835)
17. The Count of Monte Christo by Alexandre Dumas (1844)
18. Esther Waters by George Moore (1894)
19. Fidelity by Susan Glaspell (1915)
20. Black Narcissus by Rumer Godden (1947)

*****

And now I must wait and see which number comes up on Monday …

A Box of Books for 2013

I have a love-hate relationship with year-end lists.

I have loved lists – writing them, reading them, studying and analysing them – since I was a child. And yet I find it difficult to sum up a year of reading in a list or two. I know that it’s for the best of reasons: I have learned that there are so many wonderful books out there, and so I have learned to read the books that call; the books I want to read, rather than the books I ought to read.

So I’m going to do what I did last year. I’m going to assemble a virtual box of books to capture all of the things that I’ve loved in this year’s reading. It might sound like a list, and maybe it is, but to me feels like I’ve pulled some great books from the shelves because those are the books I want to pull from the shelves right now. It’s not quite so definitive.

And here it is – in the order that I read them:

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Serving Victoria: Life in the Royal Household by Kate Hubbard

“What a wonderful idea: the story of the sixty something years when Queen Victoria reigned, told through the experiences of the men and women who served her. The experiences of high-ranking courtiers, who were close enough to see how the queen and her family lived, who were not overawed by the world they found themselves in, and who, of course, left letters and diaries to speak for them.”

The Painted Veil by W. Somerset Maugham

“I must confess that, though I loved the recent film adaptation of The Painted Veil, I have been circling my copy of the book for a long, long time. Because for years Maugham lived in my box marked ‘A Great Author But Not For Me.’ Wrong, wrong, wrong!”

The Love-Charm of Bombs by Lara Feigel

“I was smitten with ‘The Love-Charm of Bombs’ from the very first time I read about it. The prospect of seeing London in the Second World War through the eyes of five remarkable writers – Elizabeth Bowen, Graham Greene, Rose Macaulay, Hilde Spiel and Henry Yorke (who wrote under the name Henry Green) – was simply irresistible.”

A Pixy in Petticoats by John Trevena

“Some people look at a hedgerow and see just that. A hedgerow. But others see more: a network of different plants, signs of the wildlife that live there, evidence of what the weather had been doing. John Trevena saw those things and he was able to bring that to life on the page, to pull his readers into his village and over the moors.”

The Pinecone by Jenny Uglow

“In 1869, Dante Gabriel Rossetti, staying with friends near Carlisle, reported in a letter to his mother that he had come across ‘some most remarkable architectural works by a former Miss Losh. She must have been really a great genius,’ he wrote, ‘and should be better known.’ She should.”

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Mariana by Monica Dickens

“Now it has to be said that Mary is not the most sympathetic of characters. She is often awkward, thoughtless, selfish even. But she was real, and for all her failing I did like her, I did want her to find her path in life, her place in the world. Sometimes fallible heroines are so much easier to love.”

Death of Lyndon Wilder and the Consequences Thereof by E.A. Dineley

“It’s a lovely period piece, full of lovely characters, pieces of history, references to beloved books, clever plotting, well-chosen details … and it’s utterly, utterly readable.”

Excellent Women by Barbara Pym

“Barbara Pym constructed her story so cleverly and told it beautifully. There is wit, intelligence and insight, and such a very light touch and a natural charm. A simple story, but the details made it sing. It was so very believable. It offers a window to look clearly at a world that existed not so long ago, but that has changed now so completely.”

The Sea Change by Joanna Rossiter

“In ‘The Sea Change’, Joanna Rossiter spins her story around a mother and daughter, both caught up in life changing events – real, historical events – that are very different and yet have similar consequences. She does it so very well that I can scarcely believe it is her debut. But it is.”

The Young Clementina by D E Stevenson

“I was so sorry to have to say goodbye to Charlotte and her world, after being caught up in her life and her world from start to finish. That points to very clever writing and plotting. Charlotte’s world, the people in it, all of the things she lived through were painted richly and beautifully. Her story lived and breathed.”

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The View on the Way Down by Rebecca Wait

“That I felt so deeply for these three siblings, that I was so upset, is a measure of what Rebecca Wait has achieved in her debut novel. I never doubted that she really knew, that she really understood, and that her accounts of depression, of bereavement, of grief, were utterly, utterly credible.  And the simplicity and the clarity of her story and her writing allowed that understanding to shine.”

Lady Rose and Mrs Memmary by Ruby Ferguson (re-read)

“Lady Rose was the only child and the heir, thanks to the good graces of Queen Victoria, of the Earl of Lochule. She was pretty, warm, bright,  and her open heart, her boundless curiosity, her love of life, charmed everyone she met. And she grew into a proud Scot and a true romantic, inspired by the writings of Walter Scott, the history of Mary Queen of Scots, and, most of all, her beloved home and lands.”

The Golem and the Djinni by Helene Wecker

“Best of all, the story of the golem and the djinni spoke profoundly of humanity, of its strengths and weaknesses, and of what it is that makes us human.”

No More Than Human by Maura Laverty

“She set off for Madrid,  to become a ‘professora’ – a free-lance tutor and  chaperone. It was an independent lifestyle that suited Delia very well, but it wasn’t easy to establish herself when she was so young, and maybe her reputation would follow her. But Delia was determined, and soon she was setting her sights even higher …..

Lucy Carmichael by Margaret Kennedy

“There was no wedding: Lucy was jilted, and of course she was devastated. She knew she had to carry on, and she knew she had to get away. She hated watching people being tactful, knowing she was being talked about, seeing reminders everywhere. And so, when she saw on opening for  a drama teacher at an arts institute, she grabbed it with both hands.”

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The Vet’s Daughter by Barbara Comyns (re-read)

“Barbara Comyns tells all of this so well, at times painting pictures with every sentence, and balancing the commonplace and the highly improbable so well that I was completely captivated by a story that was somehow dark and colourful at exactly the same time.”

The Misbegotten by Katherine Webb

“I was captivated by ‘The Misbegotten’, a wonderfully readable, utterly compelling story, set early in the eighteenth century. It is story of dark secrets, terrible losses, devastating lies, of the lives that they affect, and of truths that may be brought to light at a very high price.”

Penmarric by Susan Howatch (re-read)

“The story is told in six volumes, by five different narrators: Mark Castellack, his wife, one of his illegitimate sons, and two of his legitimate sons who would, in their turn, be master of Penmarric. Sixty years pass – from the later years of Queen Victoria’s reign to the end of World War II full of every kind of family drama you could imagine. In the wrong hands it would be a mess, but Susan Howatch made it work.”

Nearest Thing to Crazy by Elizabeth Forbes

“It was all so horribly believable. And it was unsettling, seeing how easily a life could be knocked off course, a mind knocked off balance. The story built , slowly and steadily, never losing it’s grip, towards a very clever ending. An ending that I really didn’t see coming, but an ending that made perfect sense.”

Frost Hollow Hall by Emma Carroll

“Frost Hollow Hall is more than a ghost story; it’s a story that lives and breathes, and paint wonderful pictures, and it’s a story about love, family, loss, regret, and learning to let go, told beautifully, with both subtlety and charm.”

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The Sunne in Splendour by Sharon Penman (re-read)

“The story begins with Richard as a small child and follows him through the course of his life, in exile when the House of Lancaster is in the ascendancy, and at court when the House of York rises. He becomes a formidable battlefield commander; he becomes a trusted lieutenant of the brother, Edward IV; he becomes the husband of Anne Neville, daughter of Warwick the Kingmaker, who he has loved since child; and eventually, of course, he comes king.”

The Custom of the Country by Edith Wharton (re-read)

“Now I find myself wanting to do what Alice did at the end of ‘Alice’s Adventures in Wonderland. I want to throw you in the air and say, “You’re just a fictional character!” But I can’t. Because you are so utterly real; not a heroine, not a villainess, but a vivid, three-dimensional human being, with strengths and weaknesses.”

The Goddess and the Thief by Essie Fox

“I loved the way that the story of Shiva and Pravati, and stories of her family, were woven into Alice’s own story. The contrast between India and England was very, very effective, and there were so many lovely things to notice along the way: bookish references, period details, real history – everything you could want.”

High Rising by Angela Thirkell

“It’s a simple story, but it plays out beautifully, because it is adorned with so many lovely dialogues, so many interesting incidents; and because everything works beautifully with the characters and their situations.”

Maidens’ Trip by Emma Smith

“It is a wonderful adventure for three young women  – Nanette, Emma and Charity – all from conventional, middle-class backgrounds, who have completed basic training and have been dropped into the very different world of the boating fraternity.”

*******

And that is very nearly the end of my reading year.

All that remains is to tell you about the very last book I read for my Century of Books, and to wind up that project …..

Reading the Great War: a Reading Project for 2014

A simple idea has grown into a wonderful project in the LibraryThing Virago Modern Classics Group. 2014 is the centenary of the start of the Great War, and there has been so much wonderful fiction and non fiction written about that conflict, at the time and in the years that followed ….

2014 is the time to read those books.

great war 2014

There  are Virago Modern Classics, there are other books by Virago authors, there are books by authors who have been published by other small presses with a similar ethos.

There are themes rather than set books, and two months for each theme, so we can read together but we can also have some flexibility to read the right book at the right time.

Here are the books.

The Beginning of the War (January and February)

Main Book: William: an Englishman by Cecily Hamilton (Persephone)

Other possibilities:

Golden Miles by Kathleeen Susannah Pritchard (Virago)
Mr Britling Sees it Through by H G Wells (Project Gutenberg)
The Setons by O Douglas (Project Gutenberg)

Fighting: On the Frontline and on the Homefront (March and April)

Main Book: One of Ours by Willa Cather (Virago)

Other possibilities:

Aleta Day by Francis Marion Benyon (Virago)
The War Workers by E M Delafield (Project Gutenberg)
What Not by Rose Macaulay (Project Gutenberg)

Dealing With The Human Cost: Nurses and others who cared (May and June)

Main Book: Testament of Youth by Vera Brittain

Other possibilities:

We That Were Young by Irene Rathbone (Virago)
The Regeneration Trilogy by Pat Barker
Diary Without Dates by Enid Bagnold (Project Gutenberg)

Ambulance Drivers, Pacifists & Conscientious Objectors (July & August)

Main Book: Not So Quiet by Helen Zenna Smith (Virago)

Other possibilities:

The Happy Foreigner by Enid Bagnold (Virago)
Eunice Fleet by Lily Tobias (Honno)
Non Combatants and Others by Rose Macaulay (Capuchin Classics)

The Consequences of War (September & October)

Main Book: The Return of the Soldier by Rebecca West (Virago)

Other possibilities:

Home Fires in France by Dorothy Canfield (Project Gutenberg)
Fighting France by Edith Wharton (Project Gutenberg)
In the Mountains by Elizabeth von Arnim (Project Gutenberg)

Free Choice/Books you Missed (November & December)

This is the time to read a book you missed, or a book that doesn’t fit into a category nicely.

You can read as many or as few of them as you like, or you can read other books and come over and talk about them. If you have suggestions you can put them forward here, and you can see a bigger list with all of the suggestions that have been put forward here.

I have been meaning to read ‘Not So Quiet’ and ‘We That Were Young’ for quite some time. I want to re-read ‘The Return of the Soldier’ and ‘One of Ours’. And ‘William’ is already on my bedside table …..

But now you tell me.

Will you be joining in? Is there a book you’re curious about? Do you have a book to recommend?

10% Report: Reading the 20th Century

Finally I’ve reached the point when the end of my 20th Century Reading Project looks a lot nearer than the beginning!

And I know it can be done. Thomas has just finished, and Simon is already planning his second century.

But back to mine.

First there were ten, then twenty, then thirty, then forty, then fifty, then sixty, and now there are seventy books.

And the full list is here.

I’ve done a lot of rambling on past reports, but this time I’m going to just make a few points:

  • I can and will finish this thing by the end of the year.
  • I have a plan.
  • I’m very pleased to have a decade (the 1950s) dispatched.
  • I particularly like this set of ten books:
      • Six Virago Modern Classics
      • Two more books by Virago authors
      • Two more books with wonderful heroines.

So here are the books:

1904 – In The Bishop’s Carriage by Miriam Michelson

Yes, she was a thief, but she let things go as easily as she took them. She was drawn to lovely things, and the security they offered, and she wanted to give the same thing to others. And as the story progressed she learned, she grew, and she fulfilled every bit of potential that she had. And she did it by herself: others may have given her chances, but it was Nance who seized them. She was her own woman from start to finish.

1908 – The Fly on the Wheel – Katherine Cecil Thurston

The story was compelling, and I really didn’t know what was going to happen, or what I wanted to happen, until the very end. Katherine Cecil Thurston pulled so much drama from the situation, without ever compromising the honesty at its centre. I grew to realise that she didn’t just know and understand; she cared, deeply and passionately.

1914 – The Three Sisters by May Sinclair

May Sinclair spins a compelling story, full of rich descriptions of people and places, and with a wonderful understanding of her characters and their relationships. Her writing was clear, lucid, and terribly, terribly readable. The three sisters and their world came to life, and I turned the pages quickly because I so wanted to find out what would happen, what would become of them.

1915 – The Rose-Garden Husband by Margaret Widdemer

Phyllis was alone in the world. She had a good job, as a librarian, and she rented a single room in a boarding house, but it was difficult to makes ends meet. Fortunately, Phyllis was a ‘glass half full’ kind of girl. She enjoyed her work as the children’s librarian, and she was very good at it. Phyllis was what my mother would call ‘a people person,’ and when she was at work I saw many things that I know would strike a chord with the librarians of today.

1927 – The Land of Green Ginger by Winifred Holtby

I admired Joanna’s spirit, her willingness to do everything she could for her family. I understood her frustration with her husband, with their situation. And I loved that she held on to her hope for the future. But the best thing of all was that she was a real, fallible, three-dimensional human being, so very vividly painted.

1928 – Cullum by E Arnot Robertson

It was no wonder she was smitten when she met Cullum Hayes, a twenty-four year old writer who had already met with success at a dinner party. And it was no wonder that he was intrigued by the confident, outspoken young woman, who said things not usually said – by young or old – at the dinner table. Esther told her own story, looking back at time when she had gained wisdom but lost none of her passion. And she acknowledged at the very beginning that this story would not have a happy ending.

1941 – The Rich House by Stella Gibbons

There were some lovely scenes, observed fondly but with a knowing eye: an excruciating tea party; Pauline visiting Mrs Pask, who is so pleased to have a visitor, and had gone to some trouble to procure something she knows young people like without her rather controlling companion finding out; Marjorie, Pauline’s sister, establishing her place in the local repertory company; conversations in the library, where  a few serious- minded individuals seemed to be the only ones concerned about events in Europe; Mavis settling happily into a new home with new friend, and then realising that they were the doting parents of a young man she rather liked ….

1944 – No More Than Human by Maura Laverty

She set off for Madrid,  to become a ‘professora’ – a free-lance tutor and  chaperone. It was an independent lifestyle that suited Delia very well, but it wasn’t easy to establish herself when she was so young, and maybe her reputation would follow her.But Delia was determined, and soon she was setting her sights even higher. She would do what no other Irish governess had done: she would work in an office, in the kind of job that was usually reserved for young Englishwomen.

1949 – The Willow Cabin by Pamela Frankau

This the story of Caroline Seward, a young actress who had just had her first taste of success on the stage. Wonderful possibilities opened up for her, but she didn’t take them. Because she had fallen in love – with Michael Knowles, a successful, middle-aged doctor – and she built her life around him.

1951 – Lucy Carmichael by Margaret Kennedy

There was no wedding: Lucy was jilted, and of course she was devastated. She knew she had to carry on, and she knew she had to get away. She hated watching people being tactful, knowing she was being talked about, seeing reminders everywhere. And so, when she saw on opening for  a drama teacher at an arts institute, she grabbed it with both hands.