The Vicar of Bullhampton by Anthony Trollope

I picked up ‘The Vicar of Bullhampton’ because I was looking for a Trollope that didn’t centre around a will or a court case. I should have read the synopsis a little more carefully because there is a court case – one concerned with crime this time, not inheritance – but I didn’t mind too much, because I found much to enjoy in the three entangling stories involving said vicar.

This isn’t my favourite Trollope – and it’s very nearly a curate’s egg – but I did find a great deal to enjoy.

I was very taken with the vicar – Frank Fenwick – who was a good and compassionate man, with a stubborn streak that stopped him being too perfect. I was equally taken with his wife, Janet, and I loved the relationship between the two of them. They had a real, believable genuinely happy marriage.

The first story is a classic Trollope love triangle, concerning the possible marriage of Mary Lowther, a childhood friend of the vicar’s wife. The Fenwicks promoted a match with Harry Gilmore, a Bullhampton squire and an old friend of the vicar. He fell in love with her; Mary recognised that he was a good man, but knew that she did not him as a wife should love her husband. When Gilore proposed, she does not reject him outright, but she asked for time to consider. Because she knew that he was a good match, and that maybe she would never find her true love. Mary did find true love, with her second cousin, Captain Walter Marrable. But their circumstances meant that they were not in a position to marry, and that they maybe never would be.

My feelings about Mary changed over the course of the story. I worried at first that she would be another Alice Vavasor; when I realised that she wasn’t I came to like her and feel a great deal of sympathy and empathy; sadly that didn’t last. I’m afraid that Mary – as is often the way with people in love – became oblivious to the feelings of others. And it didn’t help that her family story was a little too broad and the development of her true love a little difficult to believe.

490912It wasn’t that it was bad, but I know that Trollope can do much, much better, and I enjoyed the other strands of the story more.

The second story is of the family of Bullhampton’s miller, Jacob Brattle. His youngest son, Sam, had been a hard worker at the mill, but when he fell in with bad company his standards slipped and he was absent far too often. When a Bullhampton farmer was murdered in the course of a burglary suspicion fell of Sam’s associates, and it was known that he had been with them. The vicar had known Sam since he was a young boy, he believed him when he said that he was innocent, and he did his best to help.

He also tried to reconcile the miller with his daughter Carry. She had been seduced by a soldier, she had been thrown out by her appalled father, and since then she had been living as a ‘fallen woman’. This being a Victorian novel Trollope did not address the question of how she survived as a woman alone, but his meaning was clear. Her situation was complicated by her involvement with one of her brother’s associates; but that might also be the key to saving her brother and reuniting her with her father ….

I loved the twists and turns of this story, and I loved the very real emotions and reactions of different family members. But what made this book exceptional was the portrayal of the ‘fallen woman’. She wasn’t repentant and striving to be virtuous, she wasn’t defiant and falling further, she was simply a young woman struggling to come to terms with the consequences of what had happened and the harsh realities of this situation.

This is what I love about Trollope. He’s utterly conventional, writing about the natural roles for women being marriage and motherhood, but on the other hand he clearly hoped for a society that had understanding and compassion for those who struggled to reach those goals.

This books illuminates those different sides of Trollope better than any of the others I have read.

I couldn’t completely believe the way the story of the Brattle family played out, but it felt right – emotionally and psychologically – and I wanted to believe it.

The third story concerned the Marquis of Trowbridge, Bullhampton’s principal landowner. He was so appalled when the vicar took up Sam and Carry Brattle’s causes, that he gives the Methodist minister, Mr Puddleham, a plot of land on which to build a new chapel – a plot of land right opposite the vicarage gates. The Fenwicks were aghast as a red brick edifice grew higher and higher, but they had no idea what they could do about it. Until Mrs. Fenwick’s brother-in-law, a brilliant London barrister, looked into things ….

This story balanced the others beautifully, with a well judged mixture of drama and comedy.

Indeed the balance was what struck me about the whole book: three stories different in tone and content, considering many aspects of the human condition, considering many sides of society, And yet they sat quite naturally together, speaking, profoundly and movingly, about forgiveness, about acceptance, and about reconciliation.

I found much to love. Wonderful, real, believable human characters and relationships; lovely letters, reported by an author telling the tale in his own inimitable style; and a large village – or maybe a small town – in the Wiltshire countryside.

And in the end the strength of the whole allowed me to let go of the weaknesses of some of the parts.

The Plantagenets: The Kings Who Made Britain by Dan Jones

This is a very big book and it holds: eight generations of Kings and Queens from 1120 to 1399; a period choc full of events, history and change. It says much for Dan Jones’ ability to marshal his facts and theories and his ability to spin a compelling (true) story that I flew threw the pages.

I knew the names, I had read many of the stories; but much of what I knew came from historical fiction, and I wanted a book that would help me to put things in the right order and fill in the gaps. This was definitely the right book for the job.

The narrative opens in the year 1120, with a drunken party aboard The White Ship. Amongst those present was William the Aetherling, grandson of William the Conqueror and the only legitimate son of Henry 1st. It had been intended that the ship would race from France to to England, but drunkenness had spread to the crew and the ship hit a rock and was wrecked. It was a catastrophe, there were few survivors, and William the Aetherling was not among them.

Henry I named his daughter, Matilda, as his heir, and took care to marry her to a strong and strategically positioned consort, Geoffrey of Anjou. But when the King died many of England’s nobles were unwilling to accept a Queen Regnant, making it easy for Matilda’s cousin Stephan of Blois, one of the few survivors of The White Ship, to seize the crown while Matilda was overseas, tied to her husband’s lands, awaiting the birth of a child.

the-plantagenetsThat began a long, dark and difficult period of English history that would be known as The Anarchy; a civil war with the country divided between supporters of two claimants to the throne. That conflict was only ended when, after the death of his only son, Stephen agreed to name Matilda and Geoffrey’s son, Henry as his heir.

He, as Henry II, would be England’s first Plantagenet King; inheriting the name from his father, Geoffrey, on whom it had been bestowed because he habitually wore a spring of yellow broom blossom (planta genista).

That story – from the sinking of the white ship to the accession of Henry II – is told ‘Age of Shipwreck’, the first of seven acts. It’s full of drama and colour, as are the six acts that follow.

‘Age of Empire’ charts Henry’s conquests, his troubled – and ultimately catastrophic – relationship with Thomas a Becket, and his struggles with his wife – Eleanor of Aquitaine – and their troublesome children who history would label the ‘Devil’s Brood’. And it continues with the story of Richard the Lionheart, who came to the throne in the age of the crusades and would spend his life defending and expanding the empire he inherited from his father. An empire that his youngest brother, King John, would lose.

After that ‘Age of Opposition’ follows the conflicts that led to those loses, the conflicts with King John’s nobles and churchmen that led to history’s most famous failed peace treaty – ‘Magna Carta’ It continues into the story of John’s son, Henry III, a very different King who would also be opposed by his nobles, chief among them Simon de Monfort.

The next inheritor of the throne – Edward I – changed things, casting himself as the inheritor of King Arthur; the story of his reign, his quest to steady his kingdom and rebuild an empire, and to establish the rights and obligations of Kings is told in the ‘Age of Arthur’.

‘Age of Violence’ tells of how all of that would be undone by his son – the notorious King Edward II – who seemingly failed to understand any of those obligations or any of the consequences of his actions, playing favourite with Piers Gaveston and Hugh Despenser, and setting into motion a chain of consequence that would send his wife, Queen Isabella, into the arms of rebel Roger Mortimer, and would end with them putting his son, the young Edward III on the throne in his place, as a puppet king.

The story of how Edward III broke free, brought stability to England and re-established the country as a military power with victories on land and at sea at the start of what would become The Hundred Years War is told in ‘Age of Glory’. It tells of his sons, who included his heir Edward, The Black Prince, and John of Gaunt.

The Black Prince’s early death signalled a change in England’s fortunes. The final act – ‘Age of Revolution’ charts that decline, the accession of the Black Prince’s son, Richard II, a boy King thrown into a difficult situation without any real understanding of his rights and responsibilities. That was disastrous, and his story would end when he was usurped by his cousin, Henry Bolingbroke.

That’s where this story ends. Not with the last Plantagenet King, but with a significant shift. You might say that it was the end of the beginning or the beginning of the end for The Plantagenets. It was the right place to break the story; good though it was this book was long enough.

There were so many stories, all well told, with enough colour and detail to make them live. I was left with some striking images, and their was more than enough to keep my intention through the few quieter period.

The author stated that his intention was to track how the government and the role of monarchy changed over the years, and he did that very well indeed. I was fascinated to learn much more that I’d known before about Magna Carta and to learn about acts and treaties and settlements I’d known little or nothing about. That may sound dry but it really isn’t; it grows quite naturally out of the changes and conflicts of the human drama that was being told.

But the human story was what I missed in this book. Even on a book this long you can’t have everything, but I wish there had been a little more room for many of England’s Queens and to understand a little more of what made England’s Kings the men that they were.

I could see that the author had favourites, and that there were other he had little time for. That’s understandable, but I was disappointed that there were times when there was room for different interpretation of events that wasn’t mentioned. I accept that space was a factor, but a little space could – should – have been made to allow that there are shades of grey, not just black and white.

That leave me a little worried about picking up the story in ‘The Hollow Crown’ – because their are definitely different views to be taken on the War of the Roses. But I will because there were so many more things about this book that I did appreciate.

I took what I wanted from this book; I’ve filled gaps and I have my Kings in order; it’s a starting point not an end, and it has me enthused about reading more to fill out the human stories and build my understanding of the history.

The Dead Duke, His Secret Wife and the Missing Corpse by Piu Marie Eatwell

Piu Marie Eatwell has chosen an extraordinary title, and it suits her wonderfully written and researched telling of a true story that unfolded in late Victorian and early Edwardian England wonderfully well.

It’s readable, it’s accessible, and its utterly gripping.

In 1898 a widow named Anna Maria Druce applied for the exhumation of the grave of her late father-in-law, Thomas Charles Druce. Her claim was that he had faked his death 1864 death, because he had been the eccentric 5th Duke of Portland, who had chosen to live a different life under a different name.

Under that name the Duke had worked as a furniture dealer, married, and raised a family. Eventually he decided to end his double life and return to the ducal seat, Welbeck Abbey in Worksop, Nottinghamshire until his death some fifteen years later.

The Duke had never married a distant cousin inherited the title and everything that went with it.

Anna Maria said that her son was the true heir to the Portland estate.

It sounds ludicrous, but the truth can sometimes be stranger than fiction, and there was much that made Anna Maria’s assertion sound entirely plausible.

Dead Duke

Each man could be described as eccentric. The 5th Duke of Portland was reclusive, he rarely went out in daylight hours, and he had constructed a labyrinth of underground tunnels beneath his estate where he disappeared for extended periods.

Witnesses testified that T C Druce looked exactly like  the Duke, and that he had never spoken of his early life; it emerged that the  tastes and patterns of behaviour of the two men were strikingly similar.

Of course, if Anna Maria’s claim was unfounded the executors of the Druce estate had simply to permit the exhumation, to prove that T C Druce had died and that his body was in his tomb to bring all of the legal proceedings and all of the public interest and speculation to an end

They refused, and so a long and complex legal battle that would become a cause célèbre began.

Piu Marie Eatwell brings that case to life. She is a wonderful guide to the times and to the places where her story will play out, making it easy to understand how contemporary observers would have viewed the case with reference to newspaper reports, to other cases they would have known, novels they might have read, and the legal framework and the world that they knew. She introduces everyone who had a part to play carefully, with their history,  their character, their connection to the case; that made the human drama that played out fascinating, relatable, and so very engaging.

You might think that you were reading the finest of Victorian sensation novels; such is the quality of the storytelling, the drama of the plot, and the sheer page-turning quality of the whole thing.

The question at the centre of the case – whether T  C Druce and the 5th Duke of Portland were two men or one – was beautifully balanced, and as the case twisted and turned, as new claimants and new evidence emerged I could never quite make up my mind. I knew that I could go away and look up the case, and I so wanted to know what would happen, but I resisted because I knew that this was too good a book to spoil.

I also knew that the answer to that question would not be the end; because whatever that answer was there would be more questions.

The resolution of the case comes before the end of the book, and it as that point the author moves smoothly from dramatic storyteller to interested researcher, offering answers to some of the unanswered questions and suggesting what might be answers to others.

That was fascinating, the depth of her interest was evident, and I continued to think of everything I had read long after I put the book down.

In The Vine Country with Somerville and Ross

I have been to the south of France, for the grape harvest, with two Anglo-Irish Victorian lady writers, and I loved it.

Œnone Somerville and her cousin “Martin Ross” (actually Violet Martin – of Ross House) wrote novels, short stories and travelogues together as “Somerville and Ross”. I remember an adaptation of ‘The Experiences of an Irish R. M.’ being very popular when I was a child, I’ve noted that Virago reissued ‘Through Connemara in a Duchess Cart’, I remember seeing ‘The Real Charlotte in some very good company on a list of forgotten classics, and I know that Lisa rates them very highly.

But that’s about all I know. Except that they share a biographer with Margaret Kennedy, and that has to be another positive thing.

I’ll find out more one day, and I’m sure there’s a great deal of interest to be learned, but for now I just want to enjoy their excellent company.

In the Vine CountryEarly in their writing career the cousins were commissioned by a weekly publication -The Lady’s Pictorial” – to travel to the vineyards of the Médoc,” to write a series of articles about their experiences. Some time later, those articles were collected and published as ‘In the Vine Country.’

There is much to be enjoyed here: accounts of travel by train and by boat; observations of people, places and so many things that the ladies see long the way;  time spent at vineyards, where they saw the harvest and the treading of the grapes; visits to chateaux, where they were most impressed by the great barrels that lay maturing.

Along the way they sketched, and they were very proud of their Kodak wherever they went. The sketches illustrate and illuminate the text; what happened to the photographs I don’t know. Well I know that some were lost when they forgot to remove the lens cap, and only realised when they believed it lost and went to put something else in its place to protect the delicate lens.

There are lots of things like that; the kind of little things you would remember from a holiday. And this is a book that feels rather like hearing about somebody’s holiday. One of the lovely things is that the teller knows exactly how much to tell; enough to keep things interesting but not so much as to lose the attention of a listener without a particular interest in what is being said.

(I have to say ‘the teller’ because there is no indication of who the first person narrator is, or of whether it the pair took turns. Maybe I’ll find out, because I shall definitely be reading more of their work, and more about them.)

That the tale of this adventure was so very well and so very engagingly told speaks volumes for Somerville and Ross’s careful observation and genuine interest. It can’t have been usual for two 19th century ladies to travel to the continent unescorted, but they managed things nicely, smoothing their path with acceptance and understanding, and with good humour laced with a lovely sense of the ironic.

That reminds me to say the the writing style made me think of the Provincial Lady. It was smoother and calmer though; as she might of written had she had all the time in the world to make such a trip herself.

It was a lovely trip, and I hope to be spending more time with my two new friends.

I think maybe it should be ‘Connemara in a Duchess Cart’ next; because I’m delighted that Reading Ireland Month.led to our introduction.

The Peculiar Case of the Electric Constable: A True Tale of Passion, Poison and Pursuit by Carol Baxter

On New Year’s Day 1845 a message was sent along the telegraph wires laid beside the railway tracks between Slough and Paddington stations:

“A murder has just been committed at Salt Hill and the suspected murderer was seen to take a first-class ticket for London by the train which left Slough at 7:42 p.m. He is in the garb of a kwaker.”

(The early two-needle telegraph had no letter ‘q’.)

A man was apprehended; a man with an extraordinary story.

John Tawell had been found guilty of fraud, he was transported to a penal colony in Australia; when his fourteen year sentence was done he made his fortune, sent hope for his family, and, some years later, they returned to England.

17465794

Carol Baxter tells his story, the story of the crime and the investigation, and the story of the trial and conviction.  It reads like a drama-documentary. The level of detail is extraordinary, and the long, long list of sources confirm that this book was built the most detailed, most thorough research.

I learned much about the development of the electric telegraph, early Australian history,  Quakerism, chemistry and forensic medicine. It was fascinating, but once the ‘thrill of the chase’ was over the story settled, it became engaging when it should have compelling.

There was no major fault but there were small things: dialogue that was credible but that no amount of research could have uncovered, a lack of wider and historical context, and maybe a little unevenness in the pacing.

But Carol Baxter writes well, she clearly knows and loves her subject, and she handles the small revelations and the big revelations particularly well

There really was a great deal to hold the interest.

The case against John Tawell was compelling,  but the evidence was circumstantial, and there are many questions that could be asked about the handling of the investigation and the subsequent court case.

There was a confession, at the eleventh hour, but the written document has not survived and so there has to be another question. Did it exist or was it merely reported?

The title of the book and description of the book is a little misleading, and I can understand why some readers have been disappointed.

This is actually a very human story, and its strength is the remarkable history and psychology of John Tawell.

That’s what came through at the end, that’s what had stayed with me, and it made this book well worth reading.

Through the Magic Door by Arthur Conan Doyle

An invitation to take a tour of the bookshelves of Arthur Conan Doyle was an invitation not to be refused, and I was smitten from the first.

188817398X_01__SX450_SY635_SCLZZZZZZZ_“I care not how humble your bookshelf may be, nor how lowly the room which it adorns. Close the door of that room behind you, shut off with it all the cares of the outer world, plunge back into the soothing company of the great dead, and then you are through the magic portal into that fair land whither worry and vexation can follow you no more. You have left all that is vulgar and all that is sordid behind you. There stand your noble, silent comrades, waiting in their ranks. Pass your eye down their files. Choose your man. And then you have but to hold up your hand to him and away you go together into dreamland. Surely there would be something eerie about a line of books were it not that familiarity has deadened our sense of it. Each is a mummified soul embalmed in cere-cloth and natron of leather and printer’s ink. Each cover of a true book enfolds the concentrated essence of a man. The personalities of the writers have faded into the thinnest shadows, as their bodies into impalpable dust, yet here are their very spirits at your command.”

I was in the company of a man who loved his books as much as I love mine. His tastes and mine were fairly different – and of course I have the advantage of choosing from an extra century of books –  but he conveyed his love for every book and author he wrote about wonderfully well.

I’ve been inspired by inspired by his words about Scott, Zola and Meredith,  I loved reading about his great interest in the Napoleonic War, and I appreciated his words about my native Cornwall:

“There is something wonderful, I think, about that land of Cornwall. That long peninsula extending out into the ocean has caught all sorts of strange floating things, and has held  them there in isolation until they have woven themselves into the texture of the Cornish race. What is this strange strain which lurks down yonder ….. ?

That’s not to say that I want to read them all . I don’t think that authors like Carlyle, Boswell and Sterne will spreak to me, but I understand now that they will speak to others.

Although this is a short book I took a while to read it, because it was book after book after book, author after author after author. And its a very masculine book with only fleeting mentions of women who wrote.

But what has stayed with me since I finished reading is a picture of a man who loved reading, and who wanted to read and build a collection of the very best books:

“It is a great thing to start life with a small number of really good books which are your very own. You may not appreciate them at first. You may pine for your novel of crude and unadulterated adventure. You may, and will, give it the preference when you can. But the dull days come, and the rainy days come, and always you are driven to fill up the chinks of your reading with the worthy books which wait so patiently for your notice. And then suddenly, on a day which marks an epoch in your life, you understand the difference. You see, like a flash, how the one stands for nothing, and the other for literature. From that day onwards you may return to your crudities, but at least you do so with some standard of comparison in your mind. You can never be the same as you were before. Then gradually the good thing becomes more dear to you; it builds itself up with your growing mind; it becomes a part of your better self, and so, at last, you can look, as I do now, at the old covers and love them for all that they have meant in the past.”

Reading sentiments like that, and reading such eloquent declarations of love for the written word was a joy.

The Curious Habits of Doctor Adams by Jane Robins

17971489It’s lovely when you spot a book and everything  falls into place. The title caught my eye, the cover made it look promising, and when I placed that name Jane Robins I knew that I was in safe hands. I had been very taken with her book about the case of the brides in the bath. I’d known of that case – though I’d not known much about it – before I picked the book up, but I had no idea at all who Doctor Adams was.

I was to find out ….

John Bodkin Adams was born and raised in Ireland, the son of a strict, religious mother. He set out to raise himself, and to make his mother proud by going to medical school. It soon became clear that his ambition and aspirations outstripped his talents, but he managed to qualify as a doctor, and to establish himself in a medical practice in Eastbourne.

It did not take very long at all for Doctor Adams to acquire all of the trappings of wealth. He had a grand house; his staff included a chauffeur, gardener and housekeeper; and his fleet of cars included a Rolls Royce. However did a general practitioner fund such a lavish lifestyle?

It seems that Doctor Adams had a particular speciality, a gift for taking care of elderly widows. He knew that most of their problems came from being fragile, from being troubled by their nerves, and so he prescribed them sedatives, in increasing amounts. He visited them daily, he reassured them, looking after their house, their staff, advising their solicitors, relieving them of all their worries. They loved him. At least, most of them did.

In the end though, they all died. And it was natural that there would be a legacy for the doctor ….

There was a great deal of gossip about Doctor Adams, and in time the police became suspicious. The doctor was horribly secretive about how he was treating his patients. He was quick to sign a death certificate that recorded a natural death, declaring that he would not benefit from the deceased’s will even when he knew that he would. And he even organised the funerals, over the heads of family and friends, usually arranging for the body to be cremated.

Jane Robins told the stories of so many women, clearly and lucidly, and with a keen eye for signoficant details. The window left wide open on a cold day, the nurse sent out of the room for no good reason, the valuable ‘gifts’ taken home by the doctor while his patients lay unconscious in their beds. Those details were telling, and at times heart-breaking.

There was no doubt that Doctor Adams was unprofessional and self serving. That he was arrogant, insensitive, hostile to criticism, and driven by a need for money, status and social position. But was he killing his patients? There was a great deal of evidence, so much of it was circumstantial, the situation was sensitive, and it all hung on the doctor’s intent ….

It didn’t help that at the time – after the war but before the NHS – doctors were regarded with great reverence and respect, and that it was unthinkable to question a doctor’s treatment of his patients. Other local doctors – even though they surely must have questioned many aspects of his behaviour –  closed ranks and refused to help the police.

A senior officer from Scotland Yard to be assigned to the case, a  Home Office pathologist identified 163 suspicious cases, and after many months and two exhumations Doctor Adams was charged with murder. Just one case, the case that police thought most likely to bring about a conviction, but  second charge was prepared, and would be made if the first charge failed.

The account of the investigation, the arrest and the trial is just as striking, just as compelling as what came before.

The facts were very well presented, the research was clearly as thorough as it possibly could be, and there were so many questions to be asked about the handling of the investigation and the trial.

I drew my own conclusions, and at the very end Jane Robins drew hers. We agreed.

Though neither of us can ever know …