I so wanted to love ‘The Lie.’ I have loved her writing for years, ever since curiosity led me to pick up a copy of ‘Burning Bright.’ I was captivated by a story that was a little out of the ordinary, and by words that were used so well, to create such vivid images. I knew then, and the books that followed confirmed, that she was a special author, and author to seek out …..
And I did love ‘The Lie’, but not quite as much as I hoped that I might.
It tells the story of Daniel, who fought in the Great War, who survived, and who came home to his native Cornwall. He is shell-shocked and he is alone. His mother died while he was away and he saw Frederick, the childhood friend who became his commanding officer, die. He has no home, but Mary Pascoe, an elderly recluse, allows him to build a shelter and scratch a living from her land. They understand and help each other.
As he works on the land Daniel’s mind wanders. It takes him back to his childhood, when he was friends with the children from the big house, Frederick and his sister Felicia. His mother was the cleaning lady, but the children didn’t see the class barrier. And it takes him back to the horror of the trenches, where there are ghosts that will not let him go.
Helen Dunmore manages all of this beautifully. The shifts in time are subtle, with each painted differently and yet so clearly by the same hand. And Daniel’s character holds everything together; it is easy to understand why his mind wanders, why he sees Frederick at the foot of his bed, why he is what he is, why he does what he does …..
And the writing, enriched by the poetry that Daniel read in the library of the big house, that he loved, that he learned, is every bit as special as I hoped.
Frederick meets Felicia again; she was a little girl the last time he saw her, but now she is a war widow with a child. They are drawn together, because they are both alone, because they have shared memories, because they both desperately miss Frederick. But they have changed, and life will take them in different direction.
The portrayal of Felicia, shifting from the girl she was to a woman who has learned how she must live is sublime. Details handled so very, very well. This book is full of such wonderful details, but there were moments when my attention was pulled away.
If you set a story in Cornwall, if you change the names of places, you really shouldn’t use real place names for your characters. If you set out to write a novel set in the aftermath of the Great War, elements often found in gothic novels will seem out of place. Such small things, but they took me away from the heart of the story.
I suspect that if I didn’t live in West Cornwall I wouldn’t have been distracted at all; but I do, and I was. And I suspect that if so much of this book hadn’t been so very good then I wouldn’t have minded so much.
The seeds for the ending were planted early. A misjudgement led to a lie, and that led to tragedy. It was so sad, knowing for so long that an unhappy ending was inevitable, and it was heart-breaking when it happened.
That pulled me right back into the story, and it is still in my head, with none of the things that bothered me seeming to matter any more.
This sounds really very good. I have read a few Helen Dunmore novels and have The Greatcoat tbr I always wonder why I haven’t read more of her work.
I was lucky that up on her early thanks to a free book with a magazine. I haven’t loved all of her books but her writing is always wonderful, and there’s not one that isn’t worth trying.
I love Dunmore’s work for children and young adults but her adult novels are so searing that I often find I can’t finish them. I’ve sort of made a bargain with myself that I am not going to get caught up with the World War One bandwagon however good the author so I probably won’t be picking this up anyway. However, I do know what you mean about being uneasy when an author plays around with a location you know. There is a well thought about crime writer who sets her books so locally that I could walk to their locations in less than ten minutes but she makes unnecessary shifts that I find really off putting and I’ve not yet managed to finish a single book by her.
I’d agree that her novels can be overwhelming, but the quality is so good that I try to pick the right moment for them. Talking of crime writers, I don’t know if you’ve read Janie Bolitho, but she lived yards from where I am now and caught this area perfectly.
I have a copy of this and read a few pages but was in the wrong mood for it so put it aside to start again when the time is right. Like you, I’m really hoping to love it.
She is an author that you need the right mood for, and hopefully you will find the right mood for this one day because much of it is wonderful.
I’ve always wanted to read Helen Dunmore, but maybe this isn’t the place to start? Unlike Alex, I am jumping on the WWI train this year and this would fit in very well.
I started at the beginning of her career and read very nearly chronologically, and I think that’s the best approach.
This is an author whose novels I’ve bought, sometimes fancying one when I’ve been browsing a second-hand bookshop, but I am yet to pick them up from my shelves and read them. I heard her speak at the Cambridge Wordfest once though, she was brilliant. I quite like the sound of this one but I don’t want to read too much WWI as I already have read some and have some others on my shelves. Thank you for the honest review.
I’ll be reading this for a readalong later this year, so I appreciate your thoughts. I wouldn’t have picked up on the issues with the setting, but you are quite familiar with it. I’m glad to hear the book is full of wonderful details.